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A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Entries in family (20)

Monday
Aug032020

Noodle Shop

Small car pulls up. Driver gets out, opens back door.

Sun heat.

His father hands him two crutches, stablizes left foot on ground, rises, awkward, balances with crutches under arms.

He wears cotton hospital pajamas. Short black hair. Crosses street. Right pant leg flaps in breeze.

He has no right foot.

Son leaves. Father buries his face in bowl of noodles. Eats fast. Hospital food lousy.

Finished with noodles he tears pieces of brown bread, drops into soup. Eats fast.

Son returns, they talk with noodle staff about his story. Helps father walk to car. Drives away.

Monday
May262014

mouthful of pay

The publishing world is a crapshoot, said literary Agent Orange. A casino. After expanding the narrative working the brothel angle give me mythical cold blooded sadistic mega maniacs, corrupt politicians, civil servants, millions of poorly paid laconic Asian teachers, nurses, doctors and financially motivated international bankers, politicians practicing fraud, sexual harassment and NGO graft under the auspices of organized crime charities.

Give me gloom and doom global financial collapse with character arc de triumph and a fairy tale happy ending with revolutionary caviar and champagne.

Establish a narrative flow line where heroes or heroines conquer their unconscious fears, demons and symbolic metaphorical archetypes.

Keep it simple. Woman writer meets man. Woman faces obstacles: ice, money, sex, love, compromising her values, morals, ethics, principles, publishing her story etc.

Woman loses man. Woman sells more ice, gets more money, fucks man out of loneliness during a 5-year courtship, (he will save me) discovers blind love exchanging one form of volunteered slavery for another. Man promises her BIG money.

With resignation she gets engaged accepting that sex business is money business. She keeps writing. She sends her story out. She becomes an independent author/publisher after multiple orgasms and form rejections from blind agents. The independent woman gets her man. She introduces man to her poor family and eleven siblings. Family demands $5k as a minimum down payment. She is a valuable child bearing resource and baby production machine.

They give their daughter an engagement t-shirt.

My body is a work of art.

It’s for sale and it ain’t cheap.

Man facing family greed suffers an internal crisis of fear, uncertainty and doubt. He agrees. He goes to the crossroads at midnight. He sells his soul to the d-evil. If you want to play you have to pay.

Man pays for family engagement party. Man pays local greasy greedy officials for marriage approval documents. Man pays local shaman for blessing. Man pays for her sibling’s education. They are excited to learn how to read. Man pays for a water pump. Man pays for solar panels. Man pays for her grandparent’s medicine. Man pays for rice seeds, rabbits, vegetables. For eternity.

Parents give expensive village party impressing everyone how rich and popular they are with gleaming scheming status. Mother coerces daughter to produce many children and propitiate their poverty cycle. Give us someone to love. Someone who will work, breed and get slaughtered. Someone to take care of us. Someone to bury us.

Someone to feed us incense, said dead relative ghosts.

Ice Girl in Banlung

Saturday
Feb012014

tet - year of the horse

 

 


Wednesday
Jan292014

trust

Sanitation workers in green

Environmental vests

With broom music swept streets for Lunar New Year.

Make it new. Day by day. Make it new.

We should be so lucky to have crystal clean sheets.

Every day is anew year.

One day is like a minute.

One minute is like a day.

That's relativity. All my relatives are dead.

Never trust an atom. They make up everything.

When you know what you don't know you realize moral character with social intelligence, integrity, and courage.

Courage is an unknown word in our head and heart.

Running away is our way. Survival.

Everyday I have the blues. No one loves me but my mother and she could've been lying too.

Tuesday
Feb052013

calligraphy Brooms

Down dream street in Turkish reality

an unprecedented wave of egalitarian support featuring millions of sad, serene women facing callously arranged marriages filled with empty hopes and vague promises of love and happiness enlisted to become engaged to strangers on transcendental borders. This wave of support resembled an open handed gesturing in the eternal present as a mother reluctantly gifted her daughter a long fare well wave watching her disappear into life’s teeming stream.

         “Be well my love,” she sang. “You will always be in our hearts.”

         Her daughter joined a world tribe of singing, sighing women. They lived their dream, making sacrifices with clear intention, motivation, determination and focus. The entourage of waving, singing women danced through valleys, climbed jagged Eastern Mountains named Regret and entered a no-name village where males pounded war drums and hammered plowshares into word swords.

         Marginalized poor angry males killed each other over pita bread, olives, fresh tomatoes, kebabs, women and geographical dust while studying imaginary maps.

         “The map is not the territory,” said Visualization, a cartographer.

         “Where is this place?” asked a woman leader in a strange village on a strange planet in a strange solar system in a strange universe.

         “It is far away,” said a gravedigger with vast earth moving experience. “It is a dysfunctional place where bronze statues of fallen soldiers, warriors, politicians and testosterone fueled fools rust and congratulate each other on their mutual stupidity.”

         Wind whispered to women, “Go home, return to your children, your families and friends. Live in peace.”

         Women listened with heart-mind.

         “It’s tough living in dystopia where women are beautiful and sad,” said Visualization. “Millions don’t know whether they are coming or going, going, long gone. They’ve fashioned well-defined living death masks from loss and hopelessness and confusion and uncertain doubts selling tears wrapped in silence. Millions of us wait for an arranged marriage.”

         Potential husbands gathered to draw lots. They drew with ink and pastels and charcoal. The charcoal came from a deep black shameless unconscious well of tears where women, tired of waiting, sang, “Give me a child, give me someone to love and protect and carry forever and cherish and spoil with benign neglect. Give me your future. We don’t really truly honestly care about adverbial love, it’s all arranged. Everything has already happened. We just need to experience it. Love is a blind whore. It’s an impossible love. It’s a matter of practicality. Marriage first love later.”

         “Here,” said a marriage broker, “accept this man, this stranger into your heart. Just give him a child. Get to the verb.”

         “We breed, work and get slaughtered,” said one woman. Daughters wrapped these constricting words around their hearts in love’s tangled jungle.

         You never see women taxi drivers in Turkey. It’s a male ego thing with bright speeding tire spinning toys on wheels. It’s a Toy’s For Tots live game show. In cafes idle retired or chronically employed guys sit around all day from opening to closing playing backgammon. They slide little wooden pieces carved from youth’s forgotten toys. Young macho guys spin shiny yellow taxi wheels playing arranged symphonies in the horn section. They are the next generation of backgammon players.

         Women know better. They express their feelings. They live longer.

         Courageous women stood up to parents. “I respect your traditional ideas about arranged marriages, however, to be really honest heavy deep and real with you, it’s old fashioned conservative thinking. This is 2013 not 1987. I am a member of a new freethinking generation. I am not willing to be a victim, a willing victim of your narrow-minded attitudes. I will choose my friends, lovers and companions, based on my needs. I know why the caged bird sings.”

         Before leaving Ankara I shared a Chinese calligraphy painting poem with students. It was an old Qing dynasty poem, a gift from primary students in a rural Sichuan village school. A visual simplicity symbolized the transient nature of life lessons.

         Bright beautiful children in their radiant universe wearing red Young Chinese Communist Pioneer scarves around well-scrubbed necks sitting upright at colorful plastic desks raised hands when I asked questions yelling, “Let me try! Let me try!”

         Only young brave students had the courage, the absence of fear to say this. Older students at middle schools and university were aged and silenced through tyranny and oppressive parental and educational brainwashed ideological practice. Shame. They’d lost their curiosity and enthusiasm. Only primary kids had the courage, the inherent inner freedom to say, “Let me try, let me try!”

         Their beautiful black pictographic calligraphy ink read, “One day a man climbed into the mountains and reached a hut. He met some children.”

         “Where is the teacher?” he asked them.

         “They pointed up the mountain covered by clouds. ‘He is not here, he’s gone into the mountains to look for herbs.’”

         Chinese characters were creased where latitudes and longitudes met linguistic horizons.