Burma Isotope U-235

An emaciated bald mad broken toothed male junkie in relapse approached me on a Hanoi street.

He was on his personal quest for salvation. I am from North Korea. I spent seven years as political-economic prisoner in Burma, he postulated after dawn prowling Old Quarter needing a permanent change of address with no zip looking for someone to talk at. He was a lost one.

He was the star of his reality entertainment program. He blathered a blue streak. He was naked with belief and madness.

He ranted, I tried to sell the Burma generals nuclear arms from NK. I was this close to closing the deal, making a peace sign, They need to protect themselves from the big bad hostile world. They are paranoid idiots. Anyway, I have friends in NK. Hey, business is business. They sold me the goods. I paid cash.

In Burma I got mixed up with the wrong people. Schemers and deceivers. They lied. They cheated. They played me for a fool. They stole all my fissionable material and locked me up. I had everything: triggers, U-235, isotopes, plutonium, uranium, plans, diagrams, designs, centrifuges  ... the works  ... it was the full course meal  ... you have no idea  ... you just don’t get on a plane with this stuff.

One Burmese general’s wife wears $50,000,000 worth of gold and precious stones when she takes a shit. Can you believe that?

He continued: You need to go by boat from NK to Sing Some More. In Burma they made me sing in prison. I was in the choir singing for my supper for seven years. My voice is shot. I was lucky I wasn’t shot. They tried to shoot me out a cannon. I got stuck in THE SYSTEM. Un-fucking believable, I should write a book called Seven Years in Burma. Do you have a pen and paper. I need to get it down before it evaporates like morning dew.

How did you get out?

I became an informer rat. I took care of people. I developed relationships. Relationships and timing is everything in life., I bought and sold information. I sang for my supper. I did hard time. The nuclear stuff was worth millions on the black market.

I was born in a black market, stall #101. My mother was appointed to have me. I made a killing in Iraq. Literally. Mercenary work. Black ops. I went to N.K. I made connections with the Ministry of Fear and Nuclear Ambitions.

I worked. I paid. I got the shit out. Then it collapsed like a house of democratic chad cards in Burma. I played the Joker. It was wild. The Burmese said, Show us your hand. I did. They cut it off with a rusty machete. He held up his ticket stub.

He was beyond wild. He had his remaining hand out looking for compassion in the form of an exit permit.

An empty hand holds everything.

He lived on Dream Street at noon o’clock where a dusty Vietnamese grandfather clock strikes 12 inside a deep black gravitational void. Bong-bong-bong-bong. 

He jabbered his shadow illusion away past same-same travel tour shops, same-same bored boom-boom girls waiting for same-same tourists offering them same-same cash for same-same skin merchandise and same-same sleeping motorcycle hustlers.

He was the blues personified. He had a permanent case of the walking blues. He pleaded quiet desperation with anyone who’d listen. He was trapped in Hanoi with people hustling to eat. Hustling to dream. Girls hustling to fuck Mr. ATM cash flow. Hustlers hustling happy meal to happy meal needed a bailout from IMF.

Life’s karmic wheel of birth and rebirth spun him in circles.

Conversations love distractions and you can’t step in the same river twice.

It’s not the same river and you are not the same person.

Book of Amnesia Unabridged

Dance

Mr. Easy Rider took me to the Hue train station. He was a gaunt gap-toothed happy man riding his ER cycle.

The next time you come to Hue you find me, I take you DMZ, Ho Chi Minh trail, Highway #1. He looked at me. You’re old enough to remember that I know.

Yes I’m young enough remembering our eight minute spin to the small red & pink art deco station seeing hearing smelling remembering V trains filled with scared young men and war equipment rolling north and south to fight the French, VC, Americans and ghosts.

Tribes of Australians performed luggage contortionist tricks manipulating mountain size rolling bags clacking up pink stairs. Tattooed blond feminists with white elephant bellies and Mohawk cuts mixed with retired well shoed businessmen and their smart bagged wives.

A diminutive Viet woman arrived on her motto with big goodie bags destined for transport. She struggled to unload everything and drag it upstairs to the shipping zone.

A bored mom waited with two rambling kids as loud European tongues played tag.

A detached thin well-manicured high heeled beauty either going home for a hot shower or heading north to take a sperm bath in the Hanoi skin trade sat alone.

The W.C. in the SIE 4 waiting room smelled sweet. A potent extract of high acidic aroma. Every blue plastic chair bolted to the floor was occupied.

All the film extras in a long running performance milled around playing bamboo flute river music. Old eyes remembered everything from years and tears swallowing dark natural amazement.

A young woman with delicate hands and perfect posture wearing scuffed white ballet slippers and a five-point gold star painted on her forehead turned to me.

Did you hear Mercy Cunningham, the dancer died.

No. What’s the story.

I study dance, that’s how I know. He was amazing. Dance is all about ambiguity, poetry and acceptance. He had independent detachment. He had creative imagination. He said dance was isolated yet cooperating and independent. He believed in the magic of dance.

When you dance for a fleeting moment you feel alive.

I see a circle of movement, a connected unity, a language in space, I said.

It’s more than that, said Tran a one-legged dancer leaning against nothing.

There are five rhythms in dance.

You start with a circle. It’s a circular movement from the feminine container. She is earth.

Really, said the woman.

Yes. Then you have a line, from the hips moving out. This is the masculine action with direction. He is fire.

Chaos follows, a combination of circle and lines where male and female energies interact. This is the place of transformation.

After chaos is the lyrical, a leap, a release. This is air. The last element of dance is stillness. Out of stillness is born the next movement.

She danced away.

Movement never lies. 

Seeing through soft eyes I visualize a language in space, said Rita.

A spoken language dies on Earth every two weeks, said Tran.

Yes, said Devina. Storytellers sing and dance oral stories. The world is made of stories, not atoms. WE memorize seasons, celebrations, rites, magic and ceremonies, create and exchange clan and tribal myths as children listen, memorizing, chanting, reciting songs and the dances of their ancestors. They receive and transmit future oral traditions.

Historians try to understand what happened through the arrow of time.

Cultural anthropologists try to understand how people communicated their stories, said Omar.

The more I see the less I know, said Leo. WE ride beams of light. Let’s dance.

Book of Amnesia Unabridged

Martha’s Zen Card

I am a short story.

You are a novel.

It never occurred to Matt to buy indigenous cultural music while traveling.

Martha his girlfriend considered it essential.

Music made her edgy and alive.

When she heard music she danced.

She returned to her primitive self.

She danced naked.

Ballet. Flamingo. Tango. Cha-cha. Lambada. Waltz.

He wrote naked verbs. They loved naked. Naked cherished syllable skin music.

They wrote danced and lived like they were dead.

One day they will be. It's now or never.

They were free. It's the way to be.

Culture is what you are. Culture means you can forget.

Nature is what you can be.

People are nature's tools.

Passing through Body Sat Quiet in Asia on a three week, “Look, don’t think” holiday from frozen Europe they happened into an 8th century tourist town music repository.

They smelled music before they saw it. Seeing music is an art form. Synesthesia.

In music like life the end of the composition is not the point.

A music boy handed Matt an orange book. Write your melodic request here. Matt opened the book. A vignette floated free.

An orphan girl popped out of blank pages: I am sorry. Goodbye and good luck to you and your family. These are our famous last words. Big vocabulary. Tongues speak. Small life. Big chance. Yeah. Yeah.

The Hunger Angel watched 24/7 in the big leagues.

Sanitation workers in green environmental vests with broom music swept streets for the New Year. Make it new. Make it new.

We should be so lucky to have crystal clean sheets.

Every day is a new year.

One day is like a minute.

One minute is like a day.

That's relativity. All my relatives are dead.

Never trust an atom. They make up everything.

When you know what you don't know you realize character with social intelligence, integrity, humor and courage.

Courage is an unknown word in our head and heart. Running away is our way. Every day I have the blues. No one loves me but my mother and she could've been lying too.

You absolve in the rhythm when you have adequate life experience.

Silence and hunger are identical naked twins.

Fear and Ignorance produce Expectation & Greed.

I am good at two things:

Eating and sleeping.

Fighting and fucking.

Laughing and crying.

Reading and writing? That's for idiots.

The less I do the fewer mistakes I make, said Insecurity.

The fewer mistakes I make the less I am criticized, said Fear.

It's easier to do nothing, said Doubt.

We know the essence of survival. Keep your fucking mouth shut.

One day, Bliss’s part-time lover said, buy me a TV.

NO.

You have a job, a mother, a 12-year old daughter, two brothers, no father and no husband. I gave you money to buy a bike for your daughter and she lost it, money for clothes, money for medicine, money for food, money for temporary naked lust and currency sobriety. You play me for a fool. You’re fucking crazy.

Her arrival was sporadic at best. She visited at 8:37 for a shower, fucking and another shower.

He explored her lips, thin neck, small ears, crest of skin throat, narrow brown shoulders, pinpoint breasts with tongue talk, flat belles letters, long legs and played his way into her valley of potential.

He loved giving her oral pleasure.

Edging rose lips long and deep.

Slow sweet.

Little man in a boat sang, merrily, merrily, life is but a dream.

She reciprocated playing his bone flute.

Riding the pony, priming her G spot grinding hard and fast she exploded with precision and extra ambition whispering, Give me a baby. Give me a baby.

He deferred chromosomes. Fat fucking chance, there's no way under the tropical son I'll give you anything but short time, money, temporary love and the high hard one in your strike zone with runners in scoring position.

Here’s the pitch.

She stayed until 9:45 and left for work at an upscale spa wearing aromatic Grecian urns. He gave her 20 bones. Feed me.

Familiarity breeds contempt.

Get out of my life, said Telepathy. You are subservient and I am stupid to put up with this shit. He creased her indifference into a cumulus cloud. It rained goodbye and good luck.

She sat on the bed with her back to him. Sniffle, sniffle.

Her fake tears formed rivers named Regret and Hopelessness and Indifference.

Fish behind twelve Lao dams to provide electricity to Thailand fed 60 million Asians downstream in deltas.

His NO created black-eyed daggers. They stabbed him with hatred, loss, self-pity, violence and starvation. Revenge is best served cold with DNA.

They put on death masks.

Your mask eats your face.

They walked out into tropical heat. Separate directions.

Waves of loneliness shuffled down a broken street. Children dying of malnutrition at a health clinic on the coroner of Hope cried as desperate mothers received free blue placebos.

The day after tomorrow belongs to orphans and lucky losers with Wabi-Sabi.

Wabi - the beauty of the most ordinary circumstances and objects.

Sabi - feel one's own sharp existence.

Martha and Gratitude danced through life.