The Transmitter

I am the Naggal, ‘The Transmitter’ in Persian history.

I am the hakaawati, the professional storyteller from historical times when stories were told after harvests, during night when stories were cherished, reserved for darkness - the idle time between planting and harvesting - during long lonely winters.         

“Their stories maintained, developed, protected, transferred to children and women. This is the way the ones who feared the power of the story told us.”

“Why?”

“They abandoned us to the exile, islands, remote meditation caves, vision quests, temples of stone singing word-strings toward Arabic, Persian, Indian, Mongolian, Tibetan and European oral mystics. It was all a play, a la’ab inside the shadow of their imagination.”

“What did you learn from them?”

“There were seven layers, seven levels deep in their unconscious. Seven is the number you must remember, for it symbolizes perfect order and a complete cycle. It leads to the seven directions of space, forms the series of musical notes, colors, planets and spheres. Seven is the symbol of pain, a sickness leaving the body.”

They moved through the wild wilderness of their youth after seeing and hearing their spirit guardian, a solitary black raven, a Tibetan Golak. 

The oracle went into a trance to deliver the transmission.

The transmission was Baraka, investing them with a supernatural power of prosperity and blessings. The Baraka allowed them to conserve and control power.

Baraka was transmitted in the solitary deepness of the Sahara between Berber tribes. The more you see the less you know. The less said the better.

Mindfulness - TLC 67

They met on the Metro. Lucky carried an aromatic red rose through green sliding doors. Z sat in a permanent change of scene.

He inhaled fragrance. He handed her the rose. “Here, for you. Everything we love dies.”

“Infinity is behind us, eternity is in front of us.”

“Nothing behind. Everything ahead.”

The National Director of Barbarian Natives at TLC resigned after pressure from Sister #1. Her father Sir Franchise was King of The Money Tribe.

The National Die Rector was wishy-washy. Making personnel decisions was a stressful heartless job. Native barbarians were transferred to Siberia with Tundra Dragon and his consort Phoenix rising from ashes of self-pity, loathing, shame, guilt and fear to regenerate, reinvent and reincarnate themselves with critical thinking skills, social intelligence, mindfulness, courage, humor, gratitude, curiosity, fairness, integrity, diligence, perseverance and discipline wearing liberal amounts of delicate compassion.

Players wrote themselves into the story. They invented plots. Plots invented players with assignations, fake artifices, palace intrigue and three-act Greek plays featuring desperate insecure and courageous thematic holistic variables.

Greed and betrayal discussed intention and motivation.

A, an, the - old article men in teahouses reading newsprint verbs whispered syllables out loud memorizing lies, myths, Soma mine disasters, political denial, unaccountability, football results and obituaries. One reader said, “Thank God. Death hasn’t found me yet.”

“Don’t worry,” said Death, “I’m busy with others. Patience. I’ll get back to you. You can begin living the rest of your rare days meditating on the process of your death. Impermanence and non-existence.”

“Tell that to the guy selling fire and knives in Ankara.”

“I will,” said Death, “when his time is up and only then.”

Bursa mountain winds seeking plains became strong, sudden and slashing. They flew across thermal bath waters after plumping mist into rain’s arranged marriage. Spirit-winds reached back circling prey without saying anything of value or meaning joining relatives and strangers floating inside fog moisture captured from distant seas like dancing children, circling, spinning out from nothing, evolving from the center of their stillness, caressing flayed onion skinned fragments inside Zeynep’s black book where people didn’t reallylisten know or care in Comabodia  - an imaginary country trapped between Nam, Siam, and Laos  - swimming with 2,000,000 genocide ghosts spreading superstition and repressed violent DNA psychosis while sleeping with wide open eyes struggling with regret, low grade anxiety, big FEAR, swallowing happy Xanax pills, wearing huge magnificent watch this time machine on thin wrists in a witness protection program using a false identity theory.

Hand-me-down my walking stick, said L. Here you are, said Z. Let’s go.

Travelers arrived in a village on the Marmara Sea. Olive orchards dressed hills. A white butterfly skimmed blue sea. It’s wings created a breeze around shadows sitting in shale shade. Feet caressed geology. Waves washing the shore day by day rolled millions of pebbles creating a gentle musical interlude.

Rinse and repeat.

Ocean waves. Earth peoples.

The soft propaganda machine selling media’s tired old lies broke down. Desperate neglected broken-hearted ADD people fingered a remote or mobile.

Tribes in remote jungles created fire with Leo. Spirit-winds sailed smoke signals across oceans, seas, tributaries, rivers, bays, fjords, streams and inlets to Anasazi, Navajo, Apache, Hopi, Tiwa, Cherokee, Ainu and Tibetan ancient ones. Flying clouds acknowledged ethereal messages.

Imaginary fears of poverty and starvation gripped humans.

Beauty dispatched monarch butterflies skimming over a cresting white wave tumbling above blue water lapping land.

The Language Company

 

We gave them everything - TLC 66

Two pale female French tourist conspirators plotted their narrative near the Khmer gardener.

Colonizing this hell hole we gave them baguettes, war, illusions of freedom, top heavy dull administrative procrastination tools, fake NGO bureaucracies, wide boulevards, legal beagle systems, an eye for an eye, corruption potential, designs of egalitarian ideals, morals, ethics, principles, values, faded yellow paint and French architecture.

Yes, said her friend, this IS the old brave new world and I am lazy and passive and my stomach comes first. I am starving. Let’s eat our sorrow and be grateful we don’t live in this depressing country filled with compassionate Buddhist people. I’ll never understand their intention to do nothing with mindfulness.

It’s the hardest thing a person can do.

She was a super thin model of anorexia boned with stellar constellations. Her grim hawk faced rotund lesbian lover had flabby upper arms. She scribbled serious fiction-memory and sense data entitlement in an unlined black notebook with one hand while massaging her forehead to increase creative blood flow.

They examined a microscopic map of Angkor Wat filled with unconscious alliterative jungles, gold lame Apsara dancers, 232 species of black and red butterflies, 1.5 million anxious tourists in a big fat fucking hurry, Chinese, Japanese and Korean robot tour groups, crying elephants, super tour buses, 125cc motorcycles, tuk-tuks, begging children speaking ten European languages hawking gimcracks and whining predatory adults with an 8th grade education accompanied by miles of flaming plastic garbage, narrow boned white oxen pulling carts, 14 million attention deficit disordered citizens addicted to simple minded FACELOST entertainment diversionary cell phone adolescent sex text nonsense and 1,001 laterite cosmic Hindu temples stretching across Burma and Thailand into Laos and Vietnam in a circular boomerang dance evolving from the stillness, letting go of outcomes as the French ladies whispered, Where have we been, Where did we go, What did we see, Where are we, How do we feel, Did we discover the intuitive third eye of enlightenment or any wisdom in this totality of mystery, devotion, and sublime splendor?

They’re trapped in SEA.

One described fragments of her short life history with an animist talking stick.

The other cut out brochure glossies, ticket stubs and bleeding hearts to paste in her book. A future visual memory of her ear and snow.

Her attention span was shorter than a tour at the Genocide Museum in Phony Baloney filled with 2,000,000 smiling skulls.

Here we are.

beauty has no tongue

Be the rhythm, said a woman with flaming hair.

They meditated in the weaving village. 

Lucky loved her passion for silks.

Elephants danced with zodiac symbols.

Weavers click clacked threads.

Beauty has no tongue.

Practice is allowing everything in your life to wake you up.

 

My Name is Erhan- TLC 64

I am your masseuse. I’ve lived in this Bursa hammam since 1555.

In a large domed room sunrays shafting at precarious precious angles slant along humid walls glancing off mosaic tiles singing blue, green, yellow reflections. The dome has a perfect eight-starred symmetrical hat surrounded by sixteen stars in a geometric pattern. At night stars sing their light. They give me a pleasant headache.

This is where I live and work. I raised my family here. I will die here. This is my fate in a water world where tea and conversations meet in companionship, community and conspiracy.

After the hammam and noon prayers men went to a teahouse. They whispered stories, gossip, myth, legends, fairy tales, innuendo, lies, half-truths and fabulous fictions as small silver spoons danced in glass.

Someone else writes this with a Mont Blanc Meisterstuck 149 fountain pen. He drinks thick black Turkish coffee. A silver embossed glass of water waits for fingers to leave condensation on its surface. He turned to a stranger, “Coffee should be black as hell, strong as death and sweet as love.”

“If you finish the water it means the coffee’s no good,” said a stranger.

Lucky distributed providence to oral storytellers engaging tongues, dialects, foolscap, and fading footsteps behind shadows playing cards and slurping tea. Eyelids were heavy deep visual reminders studying down all the daze.

Such a grand and glorious saga, sang Zeynep, a heroine in a vignette.

I am a short story. You are a novel.

By day I am a gravedigger, said Lucky, and a literary prostitute after dark.

We bury our successes and failures in the same grave.

On your grave are two dates separated by a dash. What’s important is what you do during the dash. Is life a dash or marathon?

Go with your flow. Flow your glow.

The Language Company

Zeynep the heroine