The Transmitter

I am the Naggal, ‘The Transmitter’ in Persian history.

I am the hakaawati, the professional storyteller from historical times when stories were told after harvests, during night when stories were cherished, reserved for darkness - the idle time between planting and harvesting - during long lonely winters.         

“Their stories maintained, developed, protected, transferred to children and women. This is the way the ones who feared the power of the story told us.”

“Why?”

“They abandoned us to the exile, islands, remote meditation caves, vision quests, temples of stone singing word-strings toward Arabic, Persian, Indian, Mongolian, Tibetan and European oral mystics. It was all a play, a la’ab inside the shadow of their imagination.”

“What did you learn from them?”

“There were seven layers, seven levels deep in their unconscious. Seven is the number you must remember, for it symbolizes perfect order and a complete cycle. It leads to the seven directions of space, forms the series of musical notes, colors, planets and spheres. Seven is the symbol of pain, a sickness leaving the body.”

They moved through the wild wilderness of their youth after seeing and hearing their spirit guardian, a solitary black raven, a Tibetan Golak. 

The oracle went into a trance to deliver the transmission.

The transmission was Baraka, investing them with a supernatural power of prosperity and blessings. The Baraka allowed them to conserve and control power.

Baraka was transmitted in the solitary deepness of the Sahara between Berber tribes. The more you see the less you know. The less said the better.

watch women work

sunday song

cambodia is a funny place. ha, ha, ha.

what do you see? i see a man carrying one red brick. he’s looking for a place to put it down. he is confused. he had no idea his day would involve carrying a brick AND making a decision.

he needs a woman to tell him what do. this is rare because men, in his culture, are the boss and tell women what to do. usually they tell them to lie down and get ready for the big thing.

he is confused about loss. his wife wears the pants. she is the now.

i see an exuberant extraordinary solid particle cow patty land-mine in the middle of sunday’s broken pot holed road. it’s a steaming green mountain.

it smells like an art project.

it will be discovered by a speeding SUV leaving a trace of aroma past sweeping weeping women. it will spread itself over the entire olfactory landscape.

it will create new tomorrows.

***

welcome to a new reality game show. it’s called “Watch Women Work.”

work to eat now OR evolution of the species and social organization (+-)

log on, log in, log the forest. yeah, yeah. i am mr. monosyllable, your creme filled hostess cupcake for this week’s exciting program. yeah, yeah.

contestant #1. a housewife in a rural village. her task is sweeping dust into piles of dust outside her bamboo shack. she has all day to complete this arduous task. repeat.

dust to dust. dawn to dusk. (poetic ramifications in the theatre of the absurd)

contestant #2. a housewife. she has a house. she is a wife. she has 10 children. having children is her DUTY. sex for her is nothing but a DUTY. she is a duty free outlet. her price tag has expired. everything must go.

many children gives her mother and extended family someone to love and play with and yell at. yelling at kids here is abNORMAL and healthy. it nurtures their self-esteem and neurotic adolescence with punctuation marks.

her husband is sleeping. he loves sleeping, eating and making babies, because he doesn’t have to carry them around for nine months and experience hormonal feelings. he sleeps forever dreaming of a hammock in a bamboo forest.

her, his, their children are naked. they play with trash. they set fire to the forest.

fire is their great fun and games besides Yelling and Whining.

contestant #3. a housewife. she is milling around. she has no focus, plan or direction. she is a teacher. she teaches by example. she hopes the lazy boys and men understand. she’s knows many won’t and don’t.

she pounds things like metal. all day. she is a tool. she is a worker. she is a tool of production in life’s assembly factory. she is a simple person. she spits out many children. this is her duty. children are tools.

contestant #4. a housewife. she works. her lazy adult son watches her. he is bored watching her. he wants to stare at the long and winding dirt road. he wants to feast his small beady rat eyes on dirt. his eyes are dirt. pure clean red dirt. she sweeps him into the river. swim, little fish. bye-bye baby, bye-bye. he floats away.

contestant #5. a housewife. she has a diamond in her mind. she is calm and focused. she exhales beauty, truth and love.

she sings all day long.

pick one to emulate. find one with incentive and initiative and win BIG prizes.

what’s the prize? a broom, a brick, an SUV smashing a green cow patty and a monster home shaped like a wedding cake surrounded by a moat, high walls, silver barb wire and iridescent colored candles.

anything else?

a year’s subscription to your favorite illustrated color glossy advertising magazine:

“Dreams, Lies, Wishes, Hopes, and Great Expectations While Driving a Blue Dismal Diesel Dump Truck Needing an Overhaul Loaded with Charcoal.”

cool prizes. let’s play. what’s the first question about the quality of life? said Socrates.

meanwhile: destiny’s child disguised as a black and vermillion butterfly nurtured red and orange exploding flowers above a cool brown flowing river.

see you next week on WWW.

 

Chaco Canyon

Anasazi creation stories echoed on the wind.

In the Plains Indian culture, Trickster is the bad news messenger capable of speaking any known or unknown language. The Trickster is vain and deceitful, obsessed with sex, loves to make pranks, falls in and out of trouble and always recovers their stasis. Trickster taught me Keres, the language of the Pueblo, the middle heart space between earth and sky.

Languages are my specialty. Lost tongues.

Down in the southern province of Suhag in Egypt where King Scorpion lived 5,300 years ago I worked with archeologists discovering clay tablets recording taxes on oil and linen; a special material ancient Egyptians considered ritually pure under the protection of the goddess Tayt. The hieroglyphics, line drawings of animals, plants and mountains revealed stories of economies and commodities.

In Nevali Cori we found 9,000 year old shards of pottery depicting dancers.

“These images,” said a team of metaphorical diggers, “reveal a fictional common ancestor created as a way to integrate their community.”

A camel hairbrush cleaned pottery shards. “Anything else?”

“Well,” said one digger on his hands and knees, sifting dust, “we surmise these images established a collective discipline in their community. See how the figures are holding hands? What do you see now?”

“I see a circle of movement. A connected unity, a language in space,” said Omar.

Down washed out rocky New Mexico roads sixty miles from Aztec is Chaco Canyon. It is twelve miles long and one mile wide. It is a complex Anasazi Pueblo culture community nation from mid-800 until a fundamental shift left it abandoned around 1115 due to overused land, a lack of trees, drought, and failing crops. It was the social and economic center of life, an American Cradle of Civilization in the San Juan Basin. Their physical wheel of life reflected the pueblo worldview.

They were master builders constructing stone villages and six large pueblos of multiple stories with rooms larger than previously known. They began with simple walls one stone thick using mud, mortar, rubble, and the veneer of facing stones. Later they used large blocks of tabular sandstone chinked with smaller stones set in mortar and later covered with plaster.

The largest of the big houses is Pueblo Bonito 800-1200, four stories high with 600 rooms and 40 kivas. A kiva is a sacred religious area, a circular room without windows with a smoke hole at the top where the men of the village would climb down a ladder to sit, smoke, and share history and legends. There was a raised stone bench reserved for the “Speakers.”

Once a year to prepare for the Earth Renewing Ceremony, the Masked God Society would whitewash the interior walls of the kiva and repaint sacred symbols on the interior stone pillars.

Chetro Ketl, dating from 1020, had 500 rooms and 16 kivas with a large plaza. Ketl had a great kiva and remnants of carved birds, prayer sticks, arrows, and discs.

Pueblo del Arroyo had 280 rooms and 20 kivas. The Kin Kletso Pueblo, built in two stages around 1125 had one hundred rooms with five enclosed kivas.

Chaco was an advanced social and trading hub. Raw turquoise was imported from distant mines. People made necklaces, bracelets and pendants. Seashells, copper bells, and the remains of macaws and parrots suggested they traded with Mexican cultures, perhaps the Toltec.

Chaco Canyon was a spiritual center. Journeys became pilgrimages. Residents were in direct contact with elemental cosmos life: mountains, clouds, thunder, air, earth, and sun. They were connected with mysterious truth and beauty.

At one time 10,000 people lived in 400 surrounding settlements. They developed 400 miles of engineered and planned prehistoric roads connecting their communities. 

A Century is Nothing

freeze a memory

vote for me. i have power and money.

wear a sad i am lost and angry face. in public.

life screwed me. 

i had no chance.

well i did but i didn't know what to do with it

so, i succumbed to my family and social

lack of inner strength and self determination.

my secret name is passive, beauty and gratitude.

i am a character in an asian play.

Blindness

Curious beginnings determined her artistic sense of form, coloring stories of her eternal village, the other world. Cutting, planting, harvesting, complete slow rhythm of life. Her skill shined with every new expression as her heart sings.

Her simple direct feeling is all sensation.

Art enables her this beauty. She describes what she draws. Her words fly through forests with resplendent peacocks, birds of paradise.

A blind conversation developed a through line. Turn a blind eye.

Blindness listened. Blindness heard muted laughter before intuition gestured pink floating word worlds.

Laughter danced with exhaled attachment.

So. Blindness danced on through late yellow faltering light penetrating bamboo leaves spreading themselves over banana baskets impaled on swinging posts.

A bike bell rang. A young girl sat quiet watching the V girl do her toenails. Cutting, and trimming, lemon/lime soak, cuticles, translucent before applying a silver hued glossy glean. Nail by nail.

Blindness solved the mystery of sight crying tears of silence. A van labeled UNIVERSE filled with blank faced white Europeans trapped behind glass held their rampant desires and expectations on laps. Fidgeting uncomfortable languages floated into inner ears. Assaulting their long painful strides navigating yesterday’s regrets tomorrow’s fear and today’s dead lines.

Blindness practiced Tai-chi with precision.

Blindness exchanged blue ink for a dark shade of green. A handheld hair dryer waved hot air over a shampooed head. Mirrors whispered empty secrets.

Elements of silence said farewell. A series of eyes investigated decompression while swallowing fresh yogurt with peach slices near afternoon’s languishing empty promises intent on discovering new, make it new day by day. Explanations have to end somewhere.

In her village, the other world, the one she never left, Blindness threaded new beginnings on her loom waiting for pressure and tightness between notes feeling sunlight dress saliva beads blending a weave, texture and design saying hello Beauty.