key

Ink whispers secrets of silent mystery where life is found in a desperate situation.

Young boys stare at a writer.

The blind lead the blind.

Everything is Under Construction at the Source.

The vast self.

Existential awareness.

Cessation of sensation and perception.

It's a walking meditation.

Rivers, like people, only know why they were born when they reach the end.

Poverty and illiteracy. I work, I breed, I get slaughtered.

Imagined or invented conversations and episodes.

Fiction is a tool for unveiling, not obscuring the truth.

Literary fiction expounds historical truth.

Necessity of choice.

Book of Amnesia, Volume 3

Gonzo journalism. Creative nonfiction. Jazz prose poetry.

Life experience. System analysis and social autopsy.

Genius kid friends share adventures and stories.

This is a flawed masterpiece.

Everything you need to know is in this book.

This work incorporates stories from Vietnam, Cambodia, Tibet, Morocco, Turkey, Indonesia and Utopia.

Book of Amnesia, Volume 3

ISBN: 9798859766413

Hanoi Alley Bell

It takes courage to raise kids with integrity, respect and authenticity. Sex is fun.

Responsibility is a duty.

Dave releases streams of anger, bitterness and frustration allowing him to relax, expend and expand the sound. He is startled to hear the sound of his voice ricochet off substandard cold molten gray Hanoi cement block walls. His life is a cold cement wall. Echoes dance through his brain like little sugarplum fairies.

He knows the echo because he made it. He mixed the fine sand and quick dry cement. He slathered it over broken red bricks in a circular abstract desire to create art lasting for eternity which is how he thought of it the day he trow welled the paste.

Life gave him art and he used art to celebrate life.

His voice manifestation expresses human auditory tendencies in a tight space near a gigantic liquid plasma television permanently implanted on a blank cement wall blaring news propaganda and perpetual adolescent reality soap shows ...

about life next door where a hunched over family sits on cold red floral tile slurping from cracked rose bowls and shoveling steaming rice and green stringy vegetables into lost mouths while yelling over each other in tonal decibels competing with their gigantic plasma television ...

featuring dancing bears and pioneer patriots devouring rubber plantations, beaches for golf courses and farmland for glass and brass designer hotels with a double blade axe singing, in a high Greek-like chorus, the national anthem about survival and rampant greed ...

on land, sea, and air as water pianos played by a young wisp her fingers a delicate blur of fast incantation musical channels

dance near a woman garbage collector ringing a bell at 1655 alerting people in Dave’s neighborhood it is time for them to bring out their daily garbage.

Remove the evidence. Bag it and tag it. Autopsy material.

Mrs. Pho hears the bell. She’s ready. She’s willing. She’s able. She’s arranged her family’s daily consumptive waste into two plastic bags. One pink. One white. Orange and yellow fruit rinds went white, shreds of fat pink. She didn’t waste a thing. No one did. 

Life is a nasty, brutal short struggle she reflected bowing in front of her parent’s faces, dead, gone remembered forever with their stoic black and white ghost images living above eternal electric Buddha bulbs pulsating red, green, blue, and white on the family altar.

Plastic flowers, daily fruit offerings, burning incense - spirit food.

Let’s eat.

Weaving A Life, V1

Eat Fast or Starve

Leo and Lucky sharpened sticks on stones. They carved paleo-Leo-lithic paintings on soft clay walls. Leo edged circles, rectangles, triangles, curves, lines and dots.

He carved his name inside out for historians and archeologists to get the EOL gist, or, as an unemployed academic financial analyst on Wall Street would, could, should declare, English On Line.

They connected dots forward.

Salvaged garbage mired in mud created a recycled art project on the canyon bottom. They assembled a statue using sticks, soggy faded purple underwear, a filtered worker’s mask with a broken elastic strap, beer bottles, soda cans, green string, cigarette packages, feathers, needled pine cones, coral blue seashells, orange peels, melted candles, used condoms, fractured leaves, bird songs and Lung-Tao prayer flags from Lhasa.

Dirt play was a welcome respite from class tomb drudgery.

They practiced meditative Zen mindfulness.

A voice was missing.

Dozing, it concealed inherent pixel images of sad-eyed curious children trapped behind educational gates near women struggling behind plows and oxen or bent over Butterfly sewing machines threading conversations and manufacturing tongues in village shoe factories years and lives away from wealthy cities and dummies in display windows.

Lucky nurtured an indoor jungle in his university apartment and watered playful artistic English growth with two kids, Bob Dylan Thomas, 10, and Isabella the Queen of Spain, 12, from Human Province.

Interior. Their parents operated a popular student restaurant featuring boiled noodles. Slurping eaters' gazing befuddlement observed the three geniuses speaking and laughing, ho, ho, ho, ha, ha, ha.

Laughter is perfect survival therapy.

After a dinner of steamed fish, rice and fresh spinach he introduced chess tactics/strategies to freshman every Friday night in a cafe overlooking student street near new campus.

It was a mishmash of seventy-five restaurants, shops, beauty salons, karaoke night clubs and fruit and vegetable stalls amid rancid street garbage filled with malnourished savage scavenging dogs competing with humans foraging for sustenance outside high cement walls, rusty guard gates, cement dormitories, miles of flapping laundry and blue lakes leading to a Buddhist temple on a green mountain reflecting a yellow sunset.

“You've noticed,” said a waif castling early, “how the majority of Asiatic eaters drop their faces into the bowl to eat. Very few raise the food to their mouth. It's not about taste and camaraderie. It's about finishing it.”

“Eat fast or you starve. You’re either fast or last,” said Lucky, developing the Queen’s pawn.

Land Mines

Below 5* hotels at the House of Blues filled with wailing songs of loss, betrayal, welfare, neglect, abandonment, misery, hope and have mercy on slide guitar backed by a harmonica in the key of C in her crying heart, a 10-year old Cambodian girl stared up at mirrored skyscrapers watching the Wheel of Life flash prisms into sky.

She’s been turned out and turned down faster than a housekeeper working with imported 300-count Egyptian threaded linen. No lye. A thermostat of her short sweet life seeks more wattage.

She faces a severe energy shortage if she doesn’t find food. She is a quadriplegic, an amputee with one leg after discovering a land mine on her way home from school. Her t-shirt screams:

Beware of Land Mines

She wears a permanent tear on her left cheek.

She said: Here I am. I communicate my reality to the world. Do you like my shirt? Can you read words or do you need a picture? How about a picture of a picture? I don’t know how to read so I like to look at pictures. 

My country has 16 million people and maybe 6-10 million land mines. Adults say there are 40,000 amputees in my country. Too many died because we don’t have medical facilities. Mines are cheap.

A mine costs $3.00 to put in the ground and $1,000 to take out of the ground.

I’m really good at numbers.

Talk to me before you leave trails to explore the forest. It's beautiful and quiet. I know all the secret places. I showed my picture to a Cambodian man and he didn’t like it. He suffers from denial. He said it gave him nightmares. He’s seen too much horror and death in one life. So it goes.

My village is my world.

My village is the other world.

Where do you live?

I am one of 26,000 men women and children maimed or killed every year in the world by land mines remaining from some ongoing or forgotten conflict.

I love unpleasant facts.

I am a walking, talking, breathing encyclopedia of knowledge and wisdom.

Reports from the killing fields indicate there are 110 million land mines buried in 45 countries. It will cost $33 billion to remove them and take 1,100 years. Governments spend $200-$300 million a year to detect and remove 10,000 mines a year.

Cambodia, Angola, Afghanistan and Laos are the most heavily mined countries in the world.

40% of all land in Cambodia and 90% in Angola go unused because of land mines. One in 236 Cambodians is an amputee.

I hear children crying. Doctors struggle to remove pieces of metal from my skin. I cannot raise my bandaged hands to cover my ears. Perpetual crying penetrates my heart. Blood tears soak my skin.

The technical mine that took my right leg off that fateful day as I walked through pristine rice paddies near my village expanded outward at 7,000 meters per second as ball bearings shredded everything around me.

It may have been an American made M18A1, shallow curved with a 60-degree fan shaped pattern. The lethal range is 328 feet. Perhaps it was a plastic Russian PMN-2.

I never saw it.

Fortunately or unfortunately, I didn’t die of shock and blood loss. A stranger stopped the bleeding and shot me up with morphine.

All strangers in a strange land carried morphine.

Standard issue.

April 4th is International Day for Mine Assistance.