Angkor Draft

Greetings,

If I begin this dance by calling it Angkor Draft you may surmise it is about a local beer. It's not. While the beer is very popular with tourists and locals, the latter consuming huge quantities to cement construction deals, it's actually a urine based liquid reference favored by extremely thirsty red dust covered humans unloading huge packs with a weary sigh of relief. They've traveled far and wide to reach this epic point in their short sweet life. The average tourist will spend 3.5 days here and consume 9.6 large bottles of Angkor Draft.

As I wrote, in early January, I bought a 7-day pass for the Angkor Wat complex. This allowed for seven relaxed visits over a month's space-time. This was necessary due to the intensity of the experience. In advance I visited the Angkor National Museum to learn about the Khmer culture and Angkor. These entries are in the January Blog Archives. 

The Angkor image galleries are in a folder with a descending order of discovery. I began far away; specifically at Banteay Srei (9th C.) and The Roluos Group (8th C.) My last two visits included the main Angkor temple and the Bayon. I also revisited Preah Khan, Ta Som, Ta Prohm and Banteay Kdei. 

Angkor Wat was built in 1113. It is the largest religious monument in the world. It took over 30 years to complete and is dedicated to Vishnu. It is a symbol of the divine; Mount Meru in the center, surrounded by smaller peaks, courtyards (continents) and a huge moat (oceans).

After the 13th century it was a place of Buddhist worship. Extensive graphic wall galleries and carvings depict battles, regal processions, heaven and hell, and the Hindu creation epic "Churning The Sea of Milk," where gods and demons cooperate to create the elixir of immortality. Galleries also include battles between Devas and Asuras, and the Battle of Lanka.

Angkor reinforces the reality of small humans. How did I feel here? Serene. Impermanent, calm and centered. 

The Bayon is a three-tiered pyramid temple with 49 towers. Archeologists theorize the multitude of faces symbolize the god-king looking over the entire country. There are fine bas reliefs. My feeling was the immensity of energies and perspective. I avoided crowds and found solace and serenity in secluded places. The image below is an example. Not a single traveller exploring Western walls, courtyards or just sitting.

"You cannot photograph space," said a girl sitting in the shade.

All the temples offered deep surrounding forests, labyrinths, mazes, delightful discoveries and magical light-shadow play. Feel free to wander around at your leisure. Double-click on images to see larger visions. 

Angkor, Bayon and beyond...

Metta.

Blog dance

Greetings,

Let's dance. To the sound they're playing on the radio. Under the serious moonlight. Let's blog to the dance of letter-words.

There are 30 million bloggers in the states. Various states of confusion. Let's be various. Young people prefer social networks like Facebook (Fabulously Boring) and Twitter. Faster, shorter and easier. It's so exciting to live fast, short and easy. If I suffered from Attention Deficit Disorder, and everyone suffers from something because existence is suffering, I'd be a bird practicing social twittering. Kiss and type. 

Anxiety meets the tourist. They whisper, "I'm behind in getting my images up on Where Is My Face?" Once upon a space-dance there was a humbling life changing experience. Laughter was life learning dialogue.

I arrived hoping to teach at an isolated rural school 50km from Siem Reap. HOPE, the U.K. based charity organization sponsors the proposed school; My Grandfather's House. They require volunteers to have a criminal background check. As everyone knows, all-knowing, all powerful authorities do not issue this bureaucratic paper to aliens, nomads, misfits, vagabonds, itinerant weird genius teachers or other highly dubious life forms. So it goes.

I exist outside adult time.

Metta.

Dance hall

Greetings,

The dancing hall at Preah Khan is where dancers don't smile. They dance. They are slave dancers, all the women.

They dance for the king. He is the god-king. He has resurrected his desire and fury creating new customs, new decrees for dancers. They dance for the mighty and powerful. They dance Khmer stories about war, conquest, harvests, seasons, sun, and moon. 

They are submissive dances of life/death. They dance to celebrate life. They dance the celebration of tranquility. They dance or die. They wear tinkling bands of gold around wrists and ankles. They wear diamond diademed crowns and shimmering silk clothing. They do not smile. Their faces are frozen in the trance of dance.

One dances to escape the tyranny. She's danced all her short, sweet life.

The hall of dancers is surrounded by columns, portals and broken jumbled green moss stones. Thick gnarled silk-cotton tree roots crawl toward dancers. They dance through roots, past Shiva and Vishnu. The preserver and destroyer of life. 

Two foreign dancers dance with guide books. Golden leafed pages dance past their eyes. A guide who knows everything watches them. They are blind. He dances alone.

Metta.

Phimeamakas, Preah Pithu, Thommanon, Chau Say Thevoda...

Feel with camera

Greetings,

How many tourists see only through their camera? Millions. They feel the experience of 8th century artistic splendor with only their cameras, these cold impersonal little tools. Their entire experience is defined by their camera. It's not about knowing, understanding the people, culture, food, art, music, and language. It's about feeling with a camera.

They've learned through hard fast lessons to trust the machine. It is their weapon against mediocrity and boredom and shallow emptiness. They don't comprehend the intricacies of the machine. They believe it can and will save them. The machine controls them. They gratefully accept this reality.

They press optical machines against their faces, piercing retinas, flickering lids. Point and shoot. They lower the device and stare with hard lost eyes at the image, their memory. They judge it. Evaluate. DELETE!

Shoot again. Point. Shoot. Delete. Repeat. A snapshot. Snap a shot. Preserve this moment forever. Quick! They must go. They must move to the next great big thing. They are in a hurry. The tuk-tuk driver is impatient. He wants more money for his time. He waited when they slept. He waited when they stuffed eggs, watermelon and soft bread into tired faces. They ate like animals. They point and shoot. They delete.

Hurry! They have no time to see with their obscurity. This loss, this sense of amnesia envelops them. It is a dark cloud of forgetting. They remember to forget. 

They are on a Homeric quest of infinite proportions and infinite magnitude. 

Their memory card is full. They attach electrodes to a cerebral cortex and press, ever so lightly, the Down Loadswitch. Memories of Apsara dancers, elephants, monkeys, celestial deities flicker and play on a screen behind their eyes.

Avalokiteshvara, the Bodhisattva of compassion smiles.

Metta. 

Interior, Banteay Srei, 9th C. 

Jumping Thunder

"Find whatever freedom it is that you need or whatever freedom from need that you seek" - a post on Hanoian from a writer in the Botanical Garden. Everyone lives in their personal garden, visible, secret, serene and portable.

Now then. From the notebook extolling recent Hue travel. On our first afternoon in Hue, Joe, Andi, Isabella and I walked to the Citadel. It sits along the Perfume River, long walled enclosures. It's huge with many exhibits, temples and rooms filled with photographs, art objects and paintings. Old images show an arena where they staged fights between elephants and tigers. 

It rains heavy and the girls disappear. Joe and I take shelter under a pagoda roof with a young couple.

She teaches poetry. Joe asks her to tell us a poem. Thunder. Lightning. She jumps. Rain pours on fields, old marbled stone stones, inside green. Initially she is shy, then she recites a poem. It is musical and mysterious. It is about love, about two people missing each other. Her voice is strong. She feels this poem through her, it is her life, history, all the stories and songs and poetry she learned growing up surrounded by friends and family.

She gets into it. Her voice is an angel. Her melody, rhythm and voice flow as the thundering rain and lightning flashes and dances.

We applaud her performance. She is retiring, relieved. Joe and I perform "Singing In The Rain," for them, circling around stone pillars, twirling with the words, feeling the music. Rain dance. They laugh.

The intensity of the rain slows down and we all walk through the drizzle. Say farewell.

The sun comes out, reflecting diamond light on stones inside shallow water pools. Deep dark blue skies fill the air above mountains. The sun drenched fields are an amazing brilliant shade of green.

We walk over the bridge, over the river.

Metta.