Defrost Your Imagination

“Today is a good day to be empty. Practice 10,000 breaths until you disappear,” said a Lhasa monk petting a Sumatran tiger facing extinction by Malaysian villagers burning down forests to develop cosmetic palm oil exports.

“Yes, not too detached and not too sentimental,” said Zeynep sitting at a restaurant table creating surrealistic art in her notebook.

She drew stick figures with wild forested hair eating purple paper mache houses beneath a startled orange sun as disoriented Bursa talking animals crammed in spinach, green salad, tomatoes, grilled meat, rice and beans.

Across town on the TLC teachers’ apartment balcony sentry ants alerted the tribe to food. They marched from a drainpipe in single file, climbed over the edge of a plastic pot discovering good dirt. Teams fanned out sensing discarded muesli particles.

A mottled wingless insect living in bamboo detected worker ants approaching. Insect couldn’t fly. It scurried up a thin stalk to a green leaf blending in. Its feelers cleaned dirt off head and shoulders sham poop.

A gravedigger eating a hazelnut and strawberry jam sandwich on whole grain bread with grade A black olives harvested from Mudanya orchards nestled tight against Marmara Sea soil spoke to the insect as ants preparing their final assault gathered below the leaf.

“I need to move you.”

“Thanks. If I’m discovered I’ll perish. What do you suggest?”

“We use a leaf. Climb on it. I will let it go, floating over the garden. It will cushion your fall from grace. You will have a soft landing and better than a 51% chance of survival. Ground zero with better cover, food and dew you understand?”

“Ok. Thanks. 51% is better than zero.”

“You sound like an investment banker. Don’t mention it.”

“I need a new adventure.”

“Don’t we all. Here you go.”

Digger did what he had to do. Found a broad brown leaf. The insect climbed on. He released the vein-lined parachute into thin air. It floated. It landed on a huge exploding yellow sunflower.

“Goodbye,” sang the insect, “you extended my little life. I’ve survived to walk another day.”

The gravedigger sang, “Happy trails...to you...until we meet again.”

Weaving A Life V1

The Language Company

Writers On Steroids

“Ok,” I said to the Senate Committee investigating Writers On Steroids in Room 2143 of the grand facade off Bluejay Way. They stared at me with jaundiced eyes. They shuffled paper. An old tottering fool of a Grand Inquisitor pounded his gavel.

I remembered him from the McCarthy Era and feared the worst.

“You are accused of taking steroids to enhance your writing performance. We have evidence from editors, hacks and wan-ta-na-bees that you and perhaps thousands of your ilk slaving away like drones in the dungeons of mediocrity, dreams, illusions and journalistic heaven on word machines have boosted your word output through the use of banned, I repeat, banned substances. Say it isn’t so, say it’s all a lie, a misconception, hearsay. What say you?”

I took a drink of pure spring water from mysterious unfiltered Alaskan lakes. A naked trout started dancing on the table in front of me and I laughed.

“Ha, you're joking aren't you?” I stuttered, spitting water all over the microphone. It shorted out and I was forced to use my voice minus amplification.

“Of course I sue steroids, why, in fact, in truth of fact and fiction I sear the meat on your grill with my defamatory remarks. The pills are beautiful and come in a variety of colors, like rainbows. They open doors of perception with wonder, shock and awe. I have irrefutable evidence that your committee grooved the approval of these pharmaceutical delights thanks to the huge financial contribution by multinational drug companies to keep you in office. It's well known this country, let alone sports heroes have been programmed to ingest chemicals.”

I jumped on the table with the naked trout and started yelling. “We are ALL filled with chemicals you idiots. It's the American way of life. It's the new mantra, Run, Read, Write with Greater Efficiency and Prose the Poem with diligence and fortitude using Elements of Style. It’s the style baby, the demolition charge under your hat, Jack.”

“Order, order,” yelled a bailiff approaching me with caution, mace and industrial strength handcuffs. “Down boy!” They shackled me. The Grand Inquisitor handed down my sentence. It had a noun, verb and object.

“Take the prisoner to Cuba and give him an orange jump suit. Interrogate him and deprive him of his writes.”

I screamed in anguish as they dragged me past a pharmacy filled with promise, hope and salvation.

“You haven’t heard the last word from me. Where’s my trout?”

Khene in Laos

Musician and his handmade Khene in Nong Kieu, Laos.

He said they are played at funerals and flutes are played at weddings. He said it is difficult to impossible to make and only ten men in Luang Prabang can make it. Neither his grandfather or uncle could make it.

It has a haunting, beautiful sound.

Playing his flute.

Passions Torture Humans

From the Verba Seniorum (The Word of the Ancients): Two wise men who lived in the same chapel in the Sahara desert, were talking one day. "Let's fight so that we don't become disassociated from the human being, or we will end up not understanding properly the passions that torture him", said one.

"I don't know how to begin a fight," said the other.

"Well, we will do the following: I am putting this brick here in the middle, and you say to me: it's mine. I will answer: no, this brick is mine. Then we will begin arguing and we will end up fighting".

And so they did. One said that the brick was his. The other argued, saying it was not.

"Don't let's waste time over this, keep this brick," said the first. "Your idea for a fight was not very good. When we perceive that we have an immortal soul, it is impossible to fight over things".

Building A Chinese Wall

English teachers unite in Fujian, China.

Let's get dressed and gather our Moleskine notebook filled with poetry, drawings, dreams, stories and visions. Collect one fountain pen filled with green racing ink.

Remember water. You've gotta have H2O where you go. It's gonna be a hot one. Seven inches from the mid-day sun.

Let's go to a classtomb on the old university campus surrounded by luscious green trees straining to light. They are a canopy of welcome relief.

Rose petals wither on the ground.

Smile and greet your compatriots, your stalwart educational guides. Take a seat. Look around. Engage your senses.

Gaze out the window toward the lake. It shimmers blue.

You hear scraping. What is it? Local workers are building a wall. A new Great Wall. Exciting. History in the making. How do they do it?

It's simple. Materials and raw labor.

Ten local village men and women - who do most of the heavy lifting -  bags of cement, trowels, shovels, plastic buckets, water, piles of gray bricks, empty drums for support, boards, and two wheelbarrows.

Step 1. Build rickety scaffolding using drums and boards. Remove the old steel fence. Discard to side.

Step 2. One team mixes cement and water. Shovel into buckets. Another team puts bricks into a wheelbarrow and pushes it to a dumping area.

Step 3. Men wait for women to hand them bricks and buckets of cement. They slather on the goop and align bricks. Brick by brick the wall goes up. It blocks the green sward, blue lake and wild flowers.

Only the sky is safe.

Step 4. Another team coats the exterior with a bland gray mixture.

It's never going to be finished. Art is like that. It's so beautiful we feel like crying.

Someone steps to the podium and starts speaking - using exquisite language - about the value of education. Cost benefit analysis. Profit and loss statements. How we have a huge responsibility to our shareholders.

Inside a brief silence you hear a shovel, a trowel and laughter. Another day in workers paradise.