Hanoi Alley Bell

It takes courage to raise kids with integrity, respect and authenticity. Sex is fun.

Responsibility is a duty.

Dave releases streams of anger, bitterness and frustration allowing him to relax, expend and expand the sound. He is startled to hear the sound of his voice ricochet off substandard cold molten gray Hanoi cement block walls. His life is a cold cement wall. Echoes dance through his brain like little sugarplum fairies.

He knows the echo because he made it. He mixed the fine sand and quick dry cement. He slathered it over broken red bricks in a circular abstract desire to create art lasting for eternity which is how he thought of it the day he trow welled the paste.

Life gave him art and he used art to celebrate life.

His voice manifestation expresses human auditory tendencies in a tight space near a gigantic liquid plasma television permanently implanted on a blank cement wall blaring news propaganda and perpetual adolescent reality soap shows ...

about life next door where a hunched over family sits on cold red floral tile slurping from cracked rose bowls and shoveling steaming rice and green stringy vegetables into lost mouths while yelling over each other in tonal decibels competing with their gigantic plasma television ...

featuring dancing bears and pioneer patriots devouring rubber plantations, beaches for golf courses and farmland for glass and brass designer hotels with a double blade axe singing, in a high Greek-like chorus, the national anthem about survival and rampant greed ...

on land, sea, and air as water pianos played by a young wisp her fingers a delicate blur of fast incantation musical channels

dance near a woman garbage collector ringing a bell at 1655 alerting people in Dave’s neighborhood it is time for them to bring out their daily garbage.

Remove the evidence. Bag it and tag it. Autopsy material.

Mrs. Pho hears the bell. She’s ready. She’s willing. She’s able. She’s arranged her family’s daily consumptive waste into two plastic bags. One pink. One white. Orange and yellow fruit rinds went white, shreds of fat pink. She didn’t waste a thing. No one did. 

Life is a nasty, brutal short struggle she reflected bowing in front of her parent’s faces, dead, gone remembered forever with their stoic black and white ghost images living above eternal electric Buddha bulbs pulsating red, green, blue, and white on the family altar.

Plastic flowers, daily fruit offerings, burning incense - spirit food.

Let’s eat.

Weaving A Life, V1

Lombok

I climbed through the center of Bali

inside magical light

past a sacred volcano at Lake Batur

with a small portable typewriter

a map carved on narwhal bone

a roll of scented four-ply toilet paper

codices or painted books and texts

on bark paper called Amate

and cactus fiber including

palimpsest animal skins and dialogue of Mayan origin.

My hair caught fire.

Gathering flames I lit a piece of bark for guidance.

I mixed volcanic ash with water creating a thick paste of red ocher, a cosmetic balm of antioxidants.

I applied this to my skin to gain entry and passage through the spirit world of ancestors.

Land Mines

Below 5* hotels at the House of Blues filled with wailing songs of loss, betrayal, welfare, neglect, abandonment, misery, hope and have mercy on slide guitar backed by a harmonica in the key of C in her crying heart, a 10-year old Cambodian girl stared up at mirrored skyscrapers watching the Wheel of Life flash prisms into sky.

She’s been turned out and turned down faster than a housekeeper working with imported 300-count Egyptian threaded linen. No lye. A thermostat of her short sweet life seeks more wattage.

She faces a severe energy shortage if she doesn’t find food. She is a quadriplegic, an amputee with one leg after discovering a land mine on her way home from school. Her t-shirt screams:

Beware of Land Mines

She wears a permanent tear on her left cheek.

She said: Here I am. I communicate my reality to the world. Do you like my shirt? Can you read words or do you need a picture? How about a picture of a picture? I don’t know how to read so I like to look at pictures. 

My country has 16 million people and maybe 6-10 million land mines. Adults say there are 40,000 amputees in my country. Too many died because we don’t have medical facilities. Mines are cheap.

A mine costs $3.00 to put in the ground and $1,000 to take out of the ground.

I’m really good at numbers.

Talk to me before you leave trails to explore the forest. It's beautiful and quiet. I know all the secret places. I showed my picture to a Cambodian man and he didn’t like it. He suffers from denial. He said it gave him nightmares. He’s seen too much horror and death in one life. So it goes.

My village is my world.

My village is the other world.

Where do you live?

I am one of 26,000 men women and children maimed or killed every year in the world by land mines remaining from some ongoing or forgotten conflict.

I love unpleasant facts.

I am a walking, talking, breathing encyclopedia of knowledge and wisdom.

Reports from the killing fields indicate there are 110 million land mines buried in 45 countries. It will cost $33 billion to remove them and take 1,100 years. Governments spend $200-$300 million a year to detect and remove 10,000 mines a year.

Cambodia, Angola, Afghanistan and Laos are the most heavily mined countries in the world.

40% of all land in Cambodia and 90% in Angola go unused because of land mines. One in 236 Cambodians is an amputee.

I hear children crying. Doctors struggle to remove pieces of metal from my skin. I cannot raise my bandaged hands to cover my ears. Perpetual crying penetrates my heart. Blood tears soak my skin.

The technical mine that took my right leg off that fateful day as I walked through pristine rice paddies near my village expanded outward at 7,000 meters per second as ball bearings shredded everything around me.

It may have been an American made M18A1, shallow curved with a 60-degree fan shaped pattern. The lethal range is 328 feet. Perhaps it was a plastic Russian PMN-2.

I never saw it.

Fortunately or unfortunately, I didn’t die of shock and blood loss. A stranger stopped the bleeding and shot me up with morphine.

All strangers in a strange land carried morphine.

Standard issue.

April 4th is International Day for Mine Assistance.

handwriting

Writers and artists know it's all about choosing your quality tools wisely.

A well traveled 35-year old Mont Blanc Meisterstuck 149 piston fountain pen with a 14K gold nib and platinum inlay. The art of writing.

Language, writing, culture and civilization.

Been with us since passing through Hong Kong en route to a hotel management gig in Beijing. It's the feeling, joy of heft, ink distribution and quality. The edge on Moleskine paper, touch, sensory stimulation. Slowing down.

If you use a fountain pen you know what we mean. These days people crank out material with anything handy. Test out a fountain pen next time you're in the market for a quality writing instrument. Savor the precision.

Chinese students learn writing using them at the pre-university level.

Ancient influence of calligraphy and the fine arts. Before ball points and gels become ubiquitous in their lives.

An Edinburgh, Scotland school teaches students how to use a fountain pen.

"The pens improve the quality of work because they force the children to take care, and better work improves self-esteem," principal Bryan Lewis said. "Proper handwriting is as relevant today as it ever has been."

Happy writing. Go with the flow.

Random musings from a Moleskine notebook.

After a long steady heavy rain a pregnant woman

propped her mop made of strands - discarded rainbows -

as her dispassionate husband shucked peas

removed garlic shells from protective casing

after the sky finished crying to wash student street where

parades of disenfranchised university youth

sought shelter from the storm and well after open windows

released cello notes as a child sitting upright

tuned eyes to black notes on white pages

determined to master the instrument

another music student hammered

piano keys behind locked doors

pleasing Tiger Mom

flies gathered around brown sticky paste slowly

dripping off a cracked plate with their feelers

extending hope toward a thin white butterfly lifting off a green leaf

 

A diver spoke about money exchange systems after coming up for Air. 

How the value of economic currencies fluctuates.

A butterfly and turtle have so much in common.

One in air one in water.

Both floating.

Artificial

Facts and truth have nothing in common.

It’s a blessing to understand another human being without words.

I hang laundry near the street. Memory’s lie is tempered by talking monkeys. Two boys harvest trash. One barefoot boy plays silent music with a long thin bamboo fiber. The other twirling a walking stick used for prodding garbage carries a plastic bag. Papa’s got a brand new bag.

Local people mill around. Milling around is an art form. They exist with a pure innocent childlike wisdom. Passive is their inherent Buddhist nature. They’ve suppressed their ego. Ease god out.

Others voice imaginary alien freedom ideas.

I am Other. I live in my heart-mind luminous universe.

A sofa with a roof on wheels towed by a motorcycle carries fat white Europeans to see 8th century Angkor temples.

They are the look and leave people. They are too busy passing through life to feel anything.

Eternity, a young handicapped man wearing his new skin-tight artificial plastic left leg and foot shuffles through dust. He walks home. It is everywhere and nowhere. You can’t go home again.