Tattoo

Ink Me
Married to a needle
Zen of needle

Tattoo customers wander into studio:
Russian mafia, Indonesian businessmen,
two female Chinese students
Khmer boy has “Lin Forever” tattooed on his forearm
English man has a cover up job done on a red risqué dancing woman replaced by Dali's “Melting Time.”

Mont Blanc ink me
Penetrate my skin using coil and rotary machines...

Feel the pressure

Surgical precision
Process: set up worktable, cover table, pillows and bed with cling wrap,
arrange needle machines and ink. New needles from sealed packages.

Put on black surgical gloves, attach plug into amp meter for needle machine,
tape stencil on client for tracing. Client lies on back with cling wrapped pillow under head.

Artist places arm on pillow and long wrapped table for support. Small talk.

Artist consults sketch, applies pressure to arm with left hand,
puts needle machine on skin, client inhales,
artist turns machine on, zzzzz cutting skin.
Client exhales. Process continues 2 hours.

Focus of tattoo artist
Calm waves early light

Be the ink
Be the needle
Be the skin

Clear heart-mind healing skin
Ibuprofen 800 reduces wrist/hand swelling. Rest. Water.

Deserted beach, wave laughter, dawn light
Floating world islands remember current
Yoga posture
Healing energies

Orange sunset dives into blue green waves
Swim with
Courage laughter joy bliss and gratitude

Grow Your Soul - Prose and Poems from Laos & Cambodia

Luang Prabang, Laos

Mahling

Rural Burma.

Blindfish heads whisper The Sea, The Sea. Silver scales reflect light.

A woman hacks chickens. Blood streams down circular wooden tree rings.
The gravity of thinking sits on a suspended handheld iron pan scale.

A white feather sits in the other pan.
Balance.

Twenty-six varieties of rice mountains peak in round metal containers or scarred wooden boxes.

Horse drawn cart traps unload people and produce. Neck bells tinkle: Star light star bright first star I see tonight, I wish I may I wish I might get the wish I wish tonight. Well. Fed horses paw dirt.

Ancient diesel tractor engines attached to a steel carcass hauling people and produce bellow black smoke.

Old wooden shuttered shops with deep dark interiors display consumables, soap, thread waiting for a conversation, stoic curious dark-eyed women, others laughing at the benign crazy traveler. 

A ghost-self sits in meditative silence, absorbing rainbow sights, sounds, colors, smells, feeling a calm abiding joy.

Wander and wonder.

Two new teachers arrived for three weeks. One tall relaxed American male has serious eyes. His Irish female’s unhappiness confronting the hardship assignment masked emotional distress and deep bitterness.

She lived at the girl's dorm fifteen minutes away by dusty footprints. I feel isolated, she lamented.
Cry me a river, said human nature.

Hardship and deprivation develops character, said an Asian child.
Don’t give me that crap, she said. I have twenty years of teaching experience and this is hell.

Hell is other people, said Sartre.

Be a good Catholic girl and make a confession, said Personal Problem.
It’s life lesson #5, said a child.

Yeah, yeah, said the whining adult eating her frustration and anger garnished with succulent tomatoes.

The world is a village. 

The Girl on the Train

The Moroccan girl with wild brown hair tied back is not on the train leaving a white station.

Her bare feet grip small pebbles as root structures dance with her toes.

Her grounded shadow prowls toward late winter light.

She is not on the red and brown train zooming past green fields as her sheep in long woolen coats eat their way through pastures after a two-year drought.

She is not on the train hearing music, eating dates, reading a book, talking with friends or strangers, sleeping along her passage, or dreaming of a lover. She does not scan faces of tired, trapped people in orange seats waiting for restless time to deliver them to the Red City.

Her history remembers potentates inventing icon free art, alphabets, practicing equality, creating five pillars of Islam, navigation star map tools, breaking wild stallions, building adobe fortresses and writing language.

She is not on the train drinking fresh mint tea or consulting a pocket-sized edition of the Qur’an. She does not kneel on her Berber carpet five times a day facing Mecca.

She does not wear earphones listening to music imported from another world, a world where people treasure their watches. Where illusions of controlling time is their passion to be prompt and responsible citizens.

She is not on the train and not in this language the girl with wild brown hair tied back with straw or flower stems surrounding her with fragrances.

Inside rolling hills cut by wet canyons she is surrounded by orange blossom aroma in yellow and green fields. Her black eyes absorb ephemeral cloud thoughts in sky mind. Her open heart feels her breath ripple her long shadow.

Her toes caress soil. She is lighter than air, lighter than an eagle soaring above the Atlas Mountains.

She smells the Berber fire heating tea for a festival. A shaman dances in a goatskin cape and skull below stars.

It is cold. Flaming shooting stars leap into her eyes. Her nomadic clan plays flutes and drums. She sways with the hypnotic rhythm of her ancestral memory.

She is not on the train.

She is inside a goat skull moving through soil, dancing through fields.

Red and yellow fire invites stars to her dance.

ART

Morocco

Ice Girl

  Red dust Banlung town turned windy.

Swirling quality gem stone particles and degrees of indifference spiraled through air.

Redwood slats covered open sewer drains.

  Locals watched Leo with curiosity and suspicion.

They stared from a deep vacuum.

When he made eye contact they glanced away with fear, uncertainty and doubt.

They didn’t see many strangers here.

They listened at 49% or less saying yeah, yeah with panache.

  Leo's questions were constantly repeated.

  Questions grew tired of repeating themselves.

This is so fucking boring, said one question.

We are abused. We are manipulated and rendered mute. Useless.

It's a test, said another question. Patience is our great teacher.

I’ll try, said another question.

Yes, said a question, these non-listeners

have a distinct tendency to say more

and say it louder when they’re leaving,

when their back’s turned away from eye contact and potential real communication.

I’ve seen that too, said a question, who, until this moment had remained silent.

My theory is that it’s because of the genocide and fear. It’s also a delicate mixture of stupidity or indifference, said another question. Why is the most dangerous quest-ion, said one.

  Can you explain, asked a question.

Sure, people ran away to survive. People started running and others would ask them a question like

why are you running, who’s chasing you, where are you going

or what’s the matter or when

did you become afraid or why don’t you

stay longer and the one running would keep going

trailing abstract question words behind them

like memories or disembodied spirits or molecules of indifferent breath.

I see, said a question.

That explains it. Yes, said a question. Being correct is never the point. Tell me why oh my.

Ice Girl in Banlung

Writing Adventure

“’I did that,’ says my memory. ‘I can’t have done that,’ says my pride, and remains adamant. Finally memory gives way.” - Nietzsche.

The interpreter in the left brain strings experiences into narratives. A novelist in our heads. A novelist called memory ceaselessly redrafting the short story we call “My Life.”

Writing and telling a story is all about detail and realising the significance of the insignificant.

"Writing a book is an adventure. To begin with, it is a toy and an amusement; then it becomes a mistress, and then it becomes a master, and then a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster, and fling him out to the public." - Goethe

...In both Irish and Welsh myth and saga, the art of foretelling the future is an essential part of the story. More often then not, it is to escape their fate, prophesied by the Druid, that leads the protagonists into adventures which inevitably lead them to the fate they seek to avoid. 

...At one point, the narrator irreverently criticizes the author and the book, saying: "You've slapped together travel notes, moralistic ramblings, feelings, notes, jottings, untheoretical discussions, unfable-like fables, copied out some folk songs, added some legend- like nonsense of your own, and are calling it fiction!" - Soul Mountain by Gao

"I want to know one thing. What is color?" - Picasso 

Mother's SHARP TONGUE

Inside Moleskine notes. Hiding under the bed. Slick. No answer. Locked door. Suspicious? More like stupid idiot. Pick up the remains. Tell me a story.

They hope for a lot. They get a little. She disappears. The tease does her job. Just enough desire and temporary distraction - stay down! - no getting down - just enough stimulation as the skinny dude hears her speak - now it's ok.

She's stacked everything on the floor at the end of the bed. This was a dream her uncle told her in the village. "Daughter, you need to be careful in the city. People will cheat you. They are clever. Don't let emotions control you - be reasonable - cold as ice when it comes to business. If you sleep with strangers, know where the exit is."

His scary story imagined a monster under the bed - whispering secrets to her before she fell fall feel asleep.

You have to love a stranger's stupidity, noise, sad face, confusion and chaos. Did he mention irony and entertainment value? So much for a fundamental shift in consciousness. Dying of boredom. Buried with boredom's memory.

Throw the sunset away with syntax. Treat silence with elegant love, respect and dignity.

The orange yellow moon rose.

Is a rose a moon?

How does the moon rise into a black voice of emptiness?

Into endless pyramids of joy with the beauty of simplicity?

Where do butterflies go at night?

Mandalay, Burma