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Entries in Morocco (25)

Wednesday
Sep092020

In The Sahara

I was in Morocco on 9/11. Call it luck or destiny. I wrote about it in Morocco, Spain and the States.

So it goes.

Chapter 24 

Centuries earlier or later depending on reference points along time’s thin line on an event horizon as infinity and eternity played post 9/11 dirges, fugues, and blues with a full orchestra in the pits Ahmed resumed his story in the Sahara.

“Fate bites you when you least expect it,” he said waving his hands like wild kites. “Her appetite is insatiable.”

Point was so far removed from 9/11 reality he took no possession of the event. He read Ahmed’s open palms and eyes. Point’s facility for unspoken tongues was legendary. It was all body language and he was fluent in every language. Gestures were a work in progress. Gestures used people.

Ahmed described airplanes and two tall towers. “I’ve read Superman by Nietzsche in Arabic. He said 'God is dead' and God said, 'Nietzsche is dead.'"

He waved his arms like a Moroccan eagle condemned to be free yet a prisoner of the sky. He raised a hand indicating height and smacked his flying hand into his stationary hand. The impact echoed across caramel dunes. He smiled through black teeth. His dark eyes held all the world’s secrets.

Point had no idea where, who, how, why, or when Ahmed received his information. Perhaps from slave and gold trade caravans, perhaps through osmosis.

“Yes,” Ahmed said, “2,974 people from 80 countries died.”

“I see.” They were two nomads in the desert. They did not talk about Being and Nothingness. They tweaked reality by breathing.

He handed Omar’s book to Ahmed. “Have a look-see.” Ahmed read Tifignagh words.

“He was not as surprised, stunned and scared as all the well meaning myopic tax paying, allegiance singing populace would have the world’s citizens believe in their us or them attitude. He knew they’d be catapulted into a new heavy deep reality, grounded fast, sifting soil, searching for answers, breathing through death masks, deconstructing and revising history while pleading for meaning to their existence. Postmodern dialectics.

“Now they had to figure out the big answer to the big question. Why? It’d keep them busy for life. Their children taught them to ask why? Being impatient and under extreme pressure to be successful in their all consuming reality, they became frustrated with the “why” question from their children. Parents wanted to be the boss, the grown-ups in complete control. They figured they had all the answers.”

Whoops!

“In the BIG game people with a long history rolled the dice when it was their turn to play and everyone had to go back to the start. They had to read the rules. The small fine print. The details they casually accepted carte blanche, data they skipped because they didn’t think it was important, the stuff made in Hollywood, the fictional entertainment stuff with happy endings. They were well conditioned to violence, sex and reality television. Now they tasted so-called reality television in real time."

Point pointed to a faded yellow page marked “Empirical Evidence” for Ahmed’s crash course in gonzo journalism.

“Somebody off stage had triggered the light switch and their fragility was exposed. Evaporated their sense of humor. The audience sat stunned in silence when the curtain came down. It was full of holes, loopholes and worm holes. The apple was rotten. Survivors needed a card from the deck of life and did not want to see the one with the guy wearing the funny hat with bells. A small minority studied history. They knew, in a vague way, being experts on vagueness, how history repeated itself. They’d supported totalitarian regimes in the Persian/Arabian Gulf for decades burning imported Middle Eastern oil well past their bedtime.”

Only the fool spoke the truth. This was a sobering reality. Ahmed continued reading.

“It was extremely frustrating. People in their illusionary magic kingdom assumed they were always supposed to be going forward to bigger, better, faster things. There was talk about a shift in Teutonic plates of awareness. Many plates showed their age being cracked, badly needing repair, requiring immediate unequaled madness assistance or UMA. Someone tried their cell. It was busy, snagged on Fear, Uncertainty and Doubt. The big F.U.D.

“Connections were a flashback to a simpler existence of peace and prosperity with model tract homes, two car garages, appliances, fast and faster food, weapons of mass destruction in the closet, renewable bonds, treasury notes, love notes, and notes on the edge of a cliff above the abyss waiting for patients streaming out of personal and collective asylums on holidays as prescribed medications rendered them insolvent, compliant and mute. Very compliant.

“A secure line of clear communication was caught in the undercurrent, the violent raging delight of human nature doing her infinite playful thing below the realm of consciousness. She stirred things up in a big way.

“Humans had a lot of explaining to do. Explaining how the world worked. Explaining all the moral ambiguities, all the fill-in-the-blank final exams. They were in big trouble."

“‘Because I said so,’” was their old standard refrain when their sweet, ever-so-kind little monsters asked 'why' for the umpteenth time. Their ignorant facades had developed huge cracks. It was time to straighten the whiners out once and for all. They went shopping to satisfy their fear of poverty to overcome fears, a small fear growing stronger day by day being fed by hysterical know-it-alls in their ivory soap towers of higher intellectual reasoning based on empirical evidence."

“More channels!” someone screamed. “We need more channels!” There was a preponderance of rumors. Part of the evidence was charred beyond recognition. It would need DNA analysis and carbon-14 dating.

According to Omar, “Teams of social workers swarmed across the land extolling virtues of well being, hope, trust, and bravery in the face of adversity, values, free choice, and impending sales at outlet stores. People seeking outlets and outlet stores found solace in their ignorance of how the world worked on molecular, political, religious, economic, philosophical, and cultural levels. Long festering animosity and cultural bias had come full circle. An invisible Orobus constricted their heart. Their myth was part idealism and realism standing on it’s head.

"Their socially, culturally, geographically and emotionally deprived children listened, shaking their heads, learning a very hard life lesson. One that escaped their well meaning parents. Kids knew when adults were bullshitting them.

"Scholars educated at global universities started speaking Arabic, reciting Sufi poetry, and 1,001 stories about the rise and fall of civilizations written before their time with hieroglyphics and cave paintings. Survivors filled caves. Candles sales were brisk."

“A tisket a tasket we need a casket,” sang multi-lingual children.

"Historians, political scientists, talk show experts, taxi drivers, fortune tellers, beauticians, and morticians took hotline calls. The number of callers increased exponentially. Suicide search and rescue teams were put on alert. Citizens packed hospital emergency rooms. Medical schools increased graduation classes to meet the growing need. Demand outstripped supply when it came down to fear and consumption."

"Wow, that's some heavy sociological shit, Ahmed," said Point.

“What happens when they run out of insecurity control programs?” a child asked her mother. She was the mother of all answers.

“Don’t worry my sweet,” said the anxious neurotic mother living her worst nightmare, “they’ll invent something new and improved. The manufacturing sector will rebound when shelves are empty. We’ll always have sugar and we can always go shopping.”

“How long will it take?”

“Hard to say. Could be we won’t live to see it.”

“I was afraid of that.”

“There is only F.U.D.,” said her mother twisting her hair until it caught fire.

“What is F.U.D. mother?”

“Fear, uncertainty and doubt. Been with us a long time and now it’s back with a vengeance.”

“How long?”

“You ask too many questions child,” she said fanning her daughter’s flame. “A long time. A Century is Nothing."

“It’s good to know some things,” said the girl.

“A little knowledge is a dangerous thing. I’ve already told you a lot.”

“Tell me the truth,” mother. “I want to know the truth.”

“The truth is, it’s all a lie. Our insecurities are evolving. I believe in my heart-mind that life is a celebration. It is beautiful, harsh, nasty and short. A Hobbesian dream scream. There’s no rhyme or reason or social contract. It’s about realizing peace in your heart and community. Inhale suffering and exhale healing. Cultivate heart awareness.”

“I will be authentic and mindful mother. May we go out and play now? May we take the day off dear mother and be creative?”

“Yes, let’s invent a game theory my sweet daughter,” and they went out.

Omar knew children suspected parents, teachers, social workers, bureaucrats, philosophers and homeless people living in cardboard shelters did not control the market on clearly defined answers. Adults searched for the remote. They knew something better just had to be on the idiot box.

Families of big brown rats with sharp teeth scrambled out of dens scurrying through dead matter looking for food. The little animal named Fear, Uncertainty and Doubt was starving. It had a vociferous vain appetite for glorious political/economic systems. It ate it’s young. With relish at picnics. It had no principles, 20th century rationale, religious ideology or neo-conservative agenda. 

FUD was not a peace activist burning candles, wringing their bloody hands mumbling, “Oh what a pity,” or, “Somebody should have seen this coming.” FUD avoided focus groups like the plague, read Arabic history and poetry by Rumi. Their appetite was legendary and tremendous.

“Such a true story,” said Ahmed. He pointed at the sky. “Look, the north star.”

A Century is Nothing

Tuesday
Dec242019

The Girl on the Train

The Moroccan girl with wild brown hair tied back is not on the train leaving a white station.

Her bare feet grip small pebbles as root structures dance with her toes.

Her grounded shadow prowls toward late winter light.

She is not on the red and brown train zooming past green fields as her sheep in long woolen coats eat their way through pastures after a two-year drought.

She is not on the train hearing music, eating dates, reading a book, talking with friends or strangers, sleeping along her passage, or dreaming of a lover. She does not scan faces of tired, trapped people in orange seats waiting for restless time to deliver them to the Red City.

Her history remembers potentates inventing icon free art, alphabets, practicing equality, creating five pillars of Islam, navigation star map tools, breaking wild stallions, building adobe fortresses and writing language.

She is not on the train drinking fresh mint tea or consulting a pocket-sized edition of the Qur’an. She does not kneel on her Berber carpet five times a day facing Mecca.

She does not wear earphones listening to music imported from another world, a world where people treasure their watches. Where illusions of controlling time is their passion to be prompt and responsible citizens.

She is not on the train and not in this language the girl with wild brown hair tied back with straw or flower stems surrounding her with fragrances.

Inside rolling hills cut by wet canyons she is surrounded by orange blossom aroma in yellow and green fields. Her black eyes absorb ephemeral cloud thoughts in sky mind. Her open heart feels her breath ripple her long shadow.

Her toes caress soil. She is lighter than air, lighter than an eagle soaring above the Atlas Mountains.

She smells the Berber fire heating tea for a festival. A shaman dances in a goatskin cape and skull below stars.

It is cold. Flaming shooting stars leap into her eyes. Her nomadic clan plays flutes and drums. She sways with the hypnotic rhythm of her ancestral memory.

She is not on the train.

She is inside a goat skull moving through soil, dancing through fields.

Red and yellow fire invites stars to her dance.

ART

Morocco

Tuesday
Oct152019

ART

ART, (Adventure, Risk, Transformation) a memoir, covers 1997-2002.
Backstory includes Colorado childhood and a year in Nam when he cheated Death.
He was in Morocco on 9/11.
Writing there and in Spain, satire and facts met creativity and humor. Published in October 2019.
 

 

Friday
Oct052018

Moroccan Girl Dances

The Moroccan girl with wild brown hair tied back is not on the train leaving a white station. 

She sits on her haunches. Her bare feet dig soil gripping small earth pebbles as exposed root structures dance with toes. 

Her toes are extended connections where her shadow lies forgotten. It spreads upon vegetables. They prowl toward late winter light.


She is not on the red and brown train zooming past green fields where her sheep in long woolen coats eat their way through pastures after a two-year drought. She is inside green with her wild brown hair pulled tight. 

She is not on the train hearing music, eating dates, reading a book, talking with friends or strangers, sleeping along her passage, or dreaming of a lover. She does not scan faces of tired, trapped people in orange seats impatiently waiting for time to deliver them to a desert Red City. 

Her history’s desert reveals potentates sharpening swords, inventing icon free art, alphabets, algebra, practicing equality, creating five pillars of Islam, navigation star map tools, breaking wild stallions, building tiled adobe fortresses, selling spices, writing language.


She is not on the train drinking fresh mint tea or consulting a pocket sized edition of the Qur'an. She does not kneel on her Berber carpet five times a day facing Mecca.

She does not wear stereo earphones listening to music imported from another world, a world where people treasure their watches. Where controlling time is their passion for being prompt and responsible citizens giving their lives meaning.

She is not on the train and not in this language the girl with her wild brown hair tied back with straw or leather or stems of wild flowers surrounding her with fragrances.

She is surrounded by orange blossom perfume beyond rolling hills cut by wet canyons and yellow and green fields where her black eyes penetrate white clouds in blue sky. 

Her open heart hears her breath explore her long shadow, causing it to ripple with her shift. 

Her toes caress soil. She is lighter than air, lighter than eagle feathers in High Atlas Mountains. She smells the Berber tribal fire heating tea for a festival where someone wears a goatskin cape and skull below stars. 

It is cold. Flames leap from branches like shooting stars into her eyes.

Someone plays music. It is the music of her ancestors, her nomadic people. She sways inside the hypnotic rhythm of her ancestral memory. 

She is not on the train. 

She is inside a goat skull moving her hoofs through soil. She dances through fields where she danced as a child seeing red and yellow fire calling all the stars to her dance and she is not on the train.

Weaving A Life (V4)

Burma

Saturday
Jul082017

We Had An Encounter

(Post coup, July 2016 - Turkey's government solidifies control over military, judiciary, medias, education. Over 120,000 judges, teachers, police and civil servants suspended or dismissed, together with about 40,000 formally arrested.)

On a 5th floor balcony in Ankara, Turkey, Lucky fed wild birds, nurtured roses and played in good dirt.

He collected poetic and photographic evidence.

The rise and decline of Byzantine civilizations heard historians standing on street corners, lost highways or walking arduous mountain paths amid sweet smelling manure with tattered hats in hands pleading, “Give me your wasted hours. Give me your wasted hours.”

Besides helping students discover the courage to speak another tongue with an active voice at The Language Company he got a part-time job driving a taxi-bus.

At 9:11 p.m. he drove a 15-seater minivan to a Soviet-style apartment in a middle class neighborhood. A swarthy man named Pida Pie apple of his mother’s eye opened a sliding door.

A symphony of high heels announced a parade of skintight blond Russians. They purred into the taxi-bus. He smelled cosmetics, lip-gloss and sex. The night was young.

Sly Pide Pie got in.

“Go man go.”

Lucky delivered the ladies to The Kitty Cat Night Club and returned to the apartment for another load. By 10:10 p.m. he’d transported thirty.

“Pick them up at 5:15,” said Pide.

Lucky went home for a catnap with his estranged wife from an arranged marriage. She’d traded her sex for security and knew how to rub a ruble together.

After collecting women smelling of dancing, drinks and cold-blooded sex with diplomats and Turkish tycoons he took them home. High heels and acrylic language laughter faded. Dawn broke bread.

He stopped at a cafe for muddy coffee and aired out the taxi-bus.

Beginning at 7:00 a.m. he picked up kids for their daily dose of force fed feedlot education. They stumbled out of apartments piled in and fell asleep. Weeping mothers on balconies waving soiled red/yellow hammer and sickle cleaning rags sang good-bye to despondent sons and daughters.

A Chinese waif dreaming of autonomy had her eyes wide open. “Patience is my teacher,” she said.

“I remember you from the Fujian university. How did you get here?”

“I graduated with an M.A. in Languages, Humor and Courage. I stowed away on a ship leaving Shanghai. It sailed through the Straits of Malacca, the Suez Canal and into Izmir. I hitched here and got lucky. I discovered a nanny position with a family. I tutor their kids and teach Chinese calligraphy at the school.”

“Great wild future. What happened to your dream about being a waif?”

“No fear. It’s in The Dream Sweeper Machine. The day after tomorrow belongs to me. I am Curious.”

“Nice to meet you. I'm Lucky.”

“Sure you are. May I drive?”

“Why not,” giving her the tantric wheel of life.

“Wow,” she said, shifting gears, “this is fun. Let’s see how slow we can go.”

At 8:15 a.m. he returned home for a shower, good eats and dreams.

At 2 p.m. he walked to The Language Company. Students were doctors, lawyers, health care workers, engineers and university students. He was a guide from the side through etymology, phonology and morphology. The majority had passive verbs down.

“How are you,” he asked.

“So-so,” sang the chorus. “Tired. We need Xanax.”

Finished at 9:00 p.m. he started the Russian roulette acquisition cycle. “Put one in my chamber,” whispered a leggy blond. “My safety is off and I am well lubricated.”

Every morning, working with Omar, a blind Touareg amanuensis from the Sahara, whom Lucky befriended by fate in Morocco two days before 9/11 while on a six-month hiatus from the united states of consumption, they finished polishing a gonzo memoir. A Century Is Nothing. Omar sent it out.

Fifty unemployed suicidal literary agents huddled around a fire in a Benaojan cave south of Ronda, Spain read Omar’s epic.

26,000 year-old Paleolithic paintings and dancing shadows displayed bison, deer, archers, and crude time-comb slashes. Red and black fish were trapped in black cages. Fingerprints whorled hunting stories.

Agents concurred. It isn’t mainstream and too experimental. We can’t realize 15% from this. Thanks but no thanks. Let’s burn it to keep warm.

Omar published it independently in October 2007. He loved the do it yourself process: text, blurb, design, basic marketing and cover image of a Chinese girl.

“Yes,” Omar said, “it’s almost as true as if you can believe it.”

Few read it and fewer understood it.

Lucky shared it with friends and strangers. His best friend buried a copy in an Arizona time capsule.

Omar sent copies to nomadic Blue Men in the Sahara.

Through Constantinople publishing contacts it was available at D&R Books in Ankara, Bursa, Timbuktu and a big river in South America.

They selected the cover photograph. The girl’s image expressed emotional honesty with natural innocence.

 

She was trapped behind a hard steel grate-full educational reality in Maija, a poor village in Fujian, China.

Her eyes held world secrets and unlimited potential. She’d stared at Lucky, a professional stranger and an aberration in her universe. Her sisters and schoolmates pushed against her. She was trapped against a locked gate. He was on the other side.

He raised a small black machine to his eye. She heard a subtle click. A shutter opened and closed freezing time, capturing her soul on a memory-fiction card. He smiled, thanked her and disappeared. She didn’t know her child eyes would grace a book cover for everyone to see, breathing her immortality in alchemical manifestations.

He’d visited her primary school speaking strange unintelligible words, singing and dancing. His laughter and smiles were a relief from the autocratic, punishing manner of bored illiterate women teachers. They didn’t want to be prisoners any more than the kids.

No one had a choice here. You did what you were told to do in a harmonious society filled with social stability, fear, paranoia and shame ordered from Beijing well removed from a world where farmers struggled behind oxen in rice paddies. Green rice stalks revealed their essence below a blue sky in mud and meadows of reality.

Leo said, “Censorship not only chokes artistic talent but also weakens the Chinese populace who are forced to be less imaginative and less inventive. The crisis in education has been a hot topic for years. Why are so many students good at taking tests but poor at analytical thinking? Besides the commercialization of education, the absence of a free, tolerant environment has stunted the growth of students and teachers.”

Self-censorship, shame, insecurity and humiliation devoured steaming white rice and subversive dreams.

In Ankara with Omar’s blessing Lucky signed copies. It was a strange sensation spilling green racing ink from a Mont Blanc 149 piston driven fountain pen on parchment fibers.

The first copy was for Attila the Hungry, a large bald man with a spectacle business. He sold Omar BanSunRa-Ray glasses on spec-u-lay-shun.

“The future looks brighter than a total eclipse,” said Omar.

In 2012 while living in Cambodia, Lucky and Omar cut the original to shreds, polished it and published the 2nd edition with Create Space on Amazon. Omar selected a new cover image of a serene Nepalese grandmother and granddaughter.

The Language Company 

Weaving A Life (Volume 4)