edit the monster

A week of absence make the heart grow fonder. 

What have you been doing, asked Elf.

I've been red-lining a manuscript, said Orphan. I printed it out and did a line-by-line edit.

Been spilling red ink like blood for a week.

How short is it?

550 pages. 

If I had more time I'd make it shorter.

Rewriting is the party. Dance like nobody's looking.

"We work in the dark — we do what we can — we give what we have. Our doubt is our passion, and our passion is our task. The rest is the madness of art." - Henry James 

ice Girl, 6

Living in China, Leo carried buckets of night soil or shit. It was the price he paid for questioning Authority.

-why, do we have to read Mao’s little red book, it’s mush for pigs, he asked Authority.

-because you are a tool of the state, said Authority.

-this shit stinks.

-here, said Authority. Carry some more.

After that melancholy loss Leo didn’t take shit from anybody. He burned through levels of existence as an exiled ghost. He slept with shamans in cemeteries.

He didn’t suffer from PTSD. He didn’t prowl life’s perimeter at midnight with bandoliers of munitions and Howling Wolf, his M-16 on full automatic. He wasn’t a suicide bomber hijacking ambulances in Gaza or Baghdad or Karachi or Damascus. He wasn’t blowing up cafes in Haifa or Spanish trains of thought watching children and adults fly through the air with the greatest of ease in the Greatest Show on Earth. He did not attend flight training school in Florida on a secret mission of revenge and miraculous destiny.

Being a worthy asset with nonofficial cover he was quieter than a mouse. The second mouse gets the cheese. He disembarked, disabled, distributed, declassified, delineated, discussed, and detonated unconscious trip wires. He was a silent night hymn, a predator practicing silence and cunning with his tantric eye wide open.

I am a camera, he told ice girl. Like you I see the big picture. We are ahead of the future. Wandering storytellers accepted my willingness to walk point. It was the Tao of insight, intuitive friendship and leadership. I don’t sweat the small stuff.

It’s all small stuff, she said. God, the Devil and Allah are in the details. Checkmate, said Death.

In Cadiz a well-dressed bald man with Gypsy blood wearing polished black wing tipped shoes used the financial section of a daily rag proclaiming a 33% unemployed human statistic to collect his dog’s shit off a Roman cobblestone chessboard. He dumped it into a metal trash basket nailed to a postmodern yellow splattered wall.

Five minutes later an obsessive-compulsive cleaning woman in her ground floor flat yelled, “What’s that smell?”    

“History.”

By Austin Kleon

Austin Kleon, an artist, writer, observer and thinker gave a talk about what he wished he'd heard as a young creator.

He expanded his ideas and wrote a book: Steal Like an Artist

He said: This book is me talking to a previous version of myself.

These are things I’ve learned over almost a decade of trying to figure out how to make art, but a funny thing happened when I started sharing them with others — I realized that they aren’t just for artists. They’re for everyone.

These ideas are for everyone who’s trying to inject some creativity into their life and their work. (That should describe all of us.) Reposted from Brain Pickings.

Steal Like An Artist on Amazon.

Thanks Ray

Ray Bradbury has passed at 91.

Venus transits the sun. Ray headed North.

“It was one frenzy after one elation after one enthusiasm after one hysteria after another,” he wrote, noting, “You rarely have such fevers later in life that fill your entire day with emotion.”

Fahrenheit 451, Martian Chronicles, Dandelion Wine, The Illustrated Man, among others.

He never went to college. His university was the library.

A very great and unusual talent.

"Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

"It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime."

Thanks Ray. 

Healing

“Is that why there is pain and delight in human  relationships?” a woman asked.

 “Yes,” the teacher said. “The collective unconscious is too big to live out our personality so we create outer figures, projections saying, Bear my anima for me. This creates the pain and suffering. When there is individuation there is a strong ego personality.”

“Please give us an example?” 

“Well, war is like a falling in love experience. The shadow, the dark side, exists with the bright side and is misunderstood. The shadow is projected in dreams. In war. Veterans carry images of losing, darkness, violence, destruction and evil inside them.”

“What is the healing tendency?”

“One must find meaning. It requires self honesty. They  respect dreams and the unconscious. They play. Fantasy is good, dynamic play. It is about symbolic levels. The collective unconscious is manifested in all cultures. This is why Jung was attracted to Asian symbols. He believed they existed near the bottom of their unconscious in an instinctual life.”

“People in the western cultures are afraid of death? Why?”

“Old age is a value feeling. Unfortunately, in some cultures it is perceived as insulting. It is the archetype of the old fool. It is fuller than the wise man. We create meaning. The imagination is the reality of the psyche combined with pure play. We listen to the wisdom of the dream. Everything we do comes from the heart.”