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Entries in Ireland (18)

Tuesday
Dec032013

wather, Winning the Turf, Work in the stones

From Achill Sounds, a collection of poems by Thomas J. Phalen, a friend. 

Wather

There was a mad poet
Hawking his verse
On the streets of Galway City.
And I watched him pronounce Wather in Irish.
His mouth, a kiss around it:
Ooowhishka, he said.
The whisky in aqua vitae,
The Fionn Uisce in Phoenix Park,
That the conquerors’ tongues
Had such a hard time with.

Winning the Turf

I swept out the ashes, cold on the stones,
Bent to the task in the dawn gloom.
The wind skirled laments in the too skinny flue
And out the window, the threat of more rain.

There on the stones, fumbling for cold
I stacked and balanced the turves
Built there a redoubt sturdy and heaped
As Brigid Moran had once shown me.

The Morans have turbary rights in the bog
She’d said, as she struck the match smartly
It’s Moran turf, surely, we’re burning this morning,
As her yellow flame danced and grew bold.

She’d bent to the task, all business it seemed,
And mid-wived the flickering flame.
Blew on it once, then twice, like a bellows
Brought it forth in the forge of the hearth.

***

I’d seen all the boghollows hewn in the heather
As I’d ambled the brambled boreens
Seen turves helter-skelter, heaped up from these rents
Slane marks etching the faces.

I imagined her da at the face of a bogbank
Where the bog water rilled at his heels
Inelegant, red-faced, in blue overall
His Wellingtons thick with muck spatter.

Slaning it deftly, six bars deep,
And heaving sods high to the spreader
Who barrowed them heavily by donkey and creel
And footed the turf stacks in clamps.

Sputtering, puffing, like a kettle at gallop
Delving and heaping the sods
As the slow day turned down and a blanket of mist
Tucked them into a distant soft weather.

***

My match flared up hugely in the grey morning cold
And I touched it to paper and shavings
Watched it there kindle, smoulder, and smoke,
Hesitate, catch, and then take.

My turf fire blossomed all orange and bright blue
Putting chase to the slate day’s cold weight
This light, heat, and life, all up from the mud -
The mud of fair young Brigid’s home.

Work in the Stones

They bled the fields of the stones
Back breaking
And by the thousands.
Snaked the walls right round
Fitting and snugging flat the faces.
They tucked the dead weight tight
Sinuous and sturdy,
Running from here to nowhere
But not in the fields now.
‘Til the hills were striped and boxed.
And the work,
The low-down, rain-sodden work,
Held forever
Like a breath
In these stone walls.

Up close, the copes, some fallen,
Bear down on the batters
The throughs and the heartings
Buried in the heap of them.

The binders hewing them
Together from the heap fall
The batter lines spreading out
To the wet foundations
The wall heads at the corners
The joints broken with coverstones.

And the squeeze stiles
To pen the bulls
But a lunkie or a smoot
For the wayward lambs.

The work,
The heavy dull-thudded work,
Deft and thumb smashing,
Cunning and cruelly hard,
Here, forever, by the side of this road,
Admired and ignored. 


Monday
Dec022013

Blackberry Brambles & Iron Gate

Blackberry Brambles

The brambles bear fat blackberries
And the holly, berries rouge.
The cornflower blooms in the thick sedges
Among the bracken and the broom.

Sheep fleece, tatters in the thorns,
Mocks the bog cotton in the furze,
Snippet flags wispy in the turf smoke wind
That carries the squall gushing

Across Achill and the Sound
Past the Deserted Village
And its famine ghosts of the Slievemore Road,
Tramping on the hard wind up Clew Bay.

The light awash and broken, shimmering,
On the foot of Croagh Patrick
Its head torn with clouds
Hung across the cold tide.

Iron Gate

The rust in the black iron,
The pits in the tired mortar
Sloppy in the joints
Blasted by the rain, wind, and salt,
Nudged and scraped by the thistle and thorn
And the nettles, thick to the stone wall,
Thorny and nettlesome nettles stinging.

The tidy cottage
Whitewashed onto the hill
Too tight to the road,
So close it scares you,
Just there behind the iron gate,
Arust on its crumbling flanges.

From Achill Sounds, a collection of poems by Thomas J. Phalen, a friend. 

Sunday
Dec012013

Bog Oak & The Pool  

Bog Oak

The bole of it hummocked in the turf,
The knuckles of it deep like a tangled hand
Mummified, clasping the quag.
And the burl of it drowned there
Soaked to a fare-thee-well.
Impervious, hard as a cherry stone.
Death’s implacable fixedness
In the cold bog entombed.
Rock root to the world.

The Pool

Even at night,
When I am far away
From the pool in the Nephin Begs,
Even when I am not there stooped,
Peering through sedge at its silken stillness,
Or waiting in a blind of thorns
For some sudden wonder there to appear -
For which my life is the idiot quest -
The water ever sluices in, withal.

The surface shimmers
In the weird watery glow
Of a sickle moon drifting,
A bright star hung on its horn.

Sometimes, then, the water kelpie,
Become again a glimmering girl,
Rolls languidly to the still top
And slippery, shoulders it over Into slow concentric rings
That splinter the moon into wrinkled rippling winks
And rock the grasses browing the banks.

They rock me too while away I nod
Not asleep, nor yet awake,
But floating, cradled,
Above yawning water vaults.
Gently jostled in the soft twilight,
Lullabied by her water song
Whose beauty steals my breath,
Troubled by vague huge visions
Just beyond my sleepy sight.

The floating stars then fall
And with them, I with her,
Like sugar melting in lemon water
Tracing crystal trails weirdly down,
Fractured, prismed, and bending,
Like the paths to fading memories
Darkly to repose at the bottom of the pool,
Where all the secrets in sometimes slumber dwell.

From Achill Sounds, a collection of poems by Thomas J. Phalen, a friend.

Tuesday
Nov052013

Harbingers

“And put out the servant who is of no profit into the outer dark: there will be weeping and cries of sorrow.”Gospel of St. Matthew

Two ravens traced the pewter sky
Like etchings scratched above the trees.
Peremptory, unhurried, removed,
Wheeling like so much give a damn against the setting sun.
Big as black of night,
Smug as crabbed unsmiling butlers
Or sour priests, contemptuous of some apostasy,
All black hat and cassock.

Three bats circled the house at dusk,
Crazy erratic and day-blind
Darting and tumbling in the outer dark
Predictably at close of day.
Sprung from somnolent secret dayshade
Silhouettes against the nickel sky
Carving the wind with cutlass wings
Their peeps mere hints in the gloom.

It’s all about death, the macabre, and madness
On their wings here in the woods.
They’re freighted heavily for all that
With storied loathing and dread,
Lurching through the darkling, evermore,
Unshriven, feared, and despised.
Just like those pretty girls in Salem
Whose fatal youth the pinched old ladies envied so.

From Mountain Wizard, by Thomas J. Phalen.

 

Saturday
Nov022013

Tinker’s Penny

“Non, je ne regrette rien.” - Edith Piaf

She was a delicate mountain flower
A trifling unremarkable darling
An inconsequential diminutive.
But she made my juices flow
And in them my head swam.

She was the petaled perfume
Of my one time, forever, spring.
And I loved her well -
The best I could -
In my rounder’s heyday.

She was a precious copper
In this wanderer’s pocket, dispossessed,
In my gaudy wagon, spent,
On the back roads’ secret waysides
My hammer on tin.

What was this treasure, once in my hand,
That I tossed unthinking for a pebble
And now is gone,
Lost all ways,
Beneath concentric rings?

From Mountain Wizard by Thomas J. Phalen, an Irish-American poet friend.