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Entries in Film (14)

Monday
Mar082010

The Careful and Amorous Project

Greetings,

We met a guesthouse one morning. She started talking. "Amorous is my husband. He's sick. Something he ate."

Careful is 31. She was born in Xinjiang, China.

In 1991 while working for Ramada International Hotels in Beijing I traveled to Xinjiang to act in a movie about a hero who dies at his post. They needed a foreigner. My Swiss GM said, "Go for it." For ten days we filmed at the Chinese National Petroleum oil fields deep in the Tarim Basin. I wrote about this little adventure in my traveling novel, A Century Is Nothing.

She remembered the film and famous scientist. He developed a new drilling technique. He died at his isolated post surrounded by test tubes, mathematical scribbles, rusty oil drilling rigs and sand dunes. Then the Chinese Communist Party Propaganda Department had to approve film scripts depicting famous heroes. Especially dead scientific-political ones. He's in the Chinese national scientific hall of fame.

She's a freelance magazine editor in Shanghai. Amorous is an engineer from San Detour, California. He designs financial surf boards studying the effects of wave theory using electromagnetic pulse detectors. They met at a house party in Shanghai.

"When he came in I saw a deer," she said. She was the hunter and he was the prey. She is highly talkative. He is brilliant and taciturn. They dated for a year and married last year. First in her home town of Hubai province and then in Tomorrow Land. 

They got her residency card. They returned to China and quit their jobs. They hit life's highway.

Careful remembers everything, especially the long ago past.

"When I was a little girl growing up in Xinjiang, all I wanted was a book. I grew up with mountains and rivers. One day I saw a newspaper floating in the water. I dried it out and tried to read it. I couldn't. Then, when I went to school there was a girl - her father worked with my father as a public servant - and her family was well off. She had books. I didn't like her but I pretended to so I could see her books. That's how I started to read.

"It was a real struggle for me in Shanghai. I had no formal education, but I could write. I forged a C.V. and got on with an advertising company. Good money. I was looking for the perfect love. Then I met Amorous."

"I want a home," she said. "We'll need to make a decison by May," he said. "We either return to the states or find new jobs in China." 

"Look," she said, "I'm in my early 30's. I want to start a family. I need a child."

"First we need a home," he said. "Everything's in storage."

"Ok," she said. "After we're done traveling and doing this project, we'll decided where we want to live."

"Fine."

"It was my idea this project," she said. "Amorous agreed."

The project involves using various masks and props to create mysterious, surreal images around Asia. They plan their shooting schedule, Careful wears the costumes and Amorous makes the images in a raw format.

They won an Oscar this year for:

"Best Supporting Partner While Traveling For A Year in Southeast Asia While Working On A Crazy Yet Meaningful Artistic Project In Diverse Exotic Locations Using Bizarre Masks and Costumes."

Metta.

 

Careful in Lhasa, Tibet.

Careful in Cambodia.

Saturday
Oct172009

Black & White

Greetings,

I began learning and experimenting with black and white photography. It was about varieties of film, Tri-X, and later Ilford. Grain. Film speed or ISO in photog talk.

Then the learning process of working in the darkroom; developing, making contact sheets, selecting negatives to print, grades and quality of paper, using various chemicals. Developer, fixer, stop-bath, water. Emulsion. A negative holder, enlarger, light management, f/stops, and a timer. Expose and process the paper through the chemicals. 

Like magic, an image slowly appears. Looking for the contrast between shadows. Adjust the variables of time and exposure and play. Experiment. 

It's easy to fall into the trap of using color, or does color use us? The eye is easily fooled because it is passive. Cut through the colorful clutter and express yourself through shades of gray.

As Picasso said, "I just want to know one thing. What is color?" A pigment of our retina cone imagination.

After finishing the Sapa galleries I decided to do a project documenting my neighborhood here in Ha Noi using the small brilliant laser-like Leica in the B&W mode. 

No expectations, no logic. Keeping my blind eye open to light, movement and how they play. Do they play well with each other? That's a relationship question.

Some results were straight from the hip, the point-and-shoot-chance-is-all approach. No digital manipulation. Delightful. A dream dance.

A writer is lucky to get words down and try and make sense of them later. Same with making images. Here's to NOT making sense. Our brains have evolved to predict, establish meaning and detect patterns. Disorientation begets creative thinking. 

Here's the gallery.

Metta.

 

 

Thursday
Oct012009

Andy Warhol

This is from Volume 56, Number 16 - October 22, 2009 issue of The New York Review of Books by Richard Dorment. He reviews three new books about the artist Andy Warhol.

...Warhol asked different questions about art. How does it differ from any other commodity? What value do we place on originality, invention, rarity, and the uniqueness of the art object? To do this he revisited long-neglected artistic genres such as history painting in his disaster series, still life in his soup cans and Brillo boxes, and the society portrait in Ethel Scull Thirty-Six Times. Though Warhol isn't always seen as a conceptual artist, his most perceptive critic, Arthur C. Danto, calls him "the nearest thing to a philosophical genius the history of art has produced."

...Warhol's friend Henry Geldzahler, a curator at the Metropolitan Museum of Art, recognized that the artist's two great innovations were "to bring commercial art into fine art" and "to take printing techniques into painting. Andy's prints and paintings are exactly the same thing. No one had ever done that before. It was an amazing thing to do."

...As Danto explains in his brilliant short study of Warhol, the question Warhol asked is not "What is art?" but "What is the difference between two things, exactly alike, one of which is art and one of which is not?"

New York Review of Books. Read more...

Andy Warhol Museum...

"I don't know where the artificial stops and real starts." - Andy Warhol

Metta.

 

Monday
Mar092009

Synecdoche

Greetings,

A prospective home owner walks into a house with a real estate agent. There are numerous small fires burning.

"I really like this house," she says. "But I'm really concerned about dying in a fire."

"Yes," says the agent, "It's a big decision, how one chooses to die."

Synecdoche, a film written and directed by Charlie Kaufman concerns life, choices, dreams, art, relationships and death.

Always making choices.

Cast: Philip Seymour Hoffman, Catherine Keener, Samantha Morton, Hope Davis, Tom Noonan, Emily Watson, Jennifer Jason Leigh, Dianne Weist, Deirdre O'Connell.

Give a man a match and he's warm for a minute. Set him on fire and he's alive for the rest of his life.

Read more...

Metta.

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