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Entries in Environment (540)

Tuesday
May042021

World as illusion

Kampot ceremony
70,000 years of pointillism
 
Walking makes the road
 
Khmer wedding music clanging symbols
Yellow silk accompanies jackhammers
In a brave new world

Mawlamyine, Burma

*
 
Pure mind Buddhism - world as illusion
 
How’s this for coincidence chance fate
You walk to market
Past a massage place greeted by seated smiling woman named Cosmos
Connection strong married two kids 14/5

used to run her own place until husband said no

now p/t for sister needing help
Delight intensity oral pleasure friendly and communicative
 
A few poetic words about Kampot morning
Energies
Frequencies
Transmissions
Cool fresh dawn breeze
Swift lets in kitchen prepare bird nest soup using saliva
 
Boys tear down wedding celebration immaterial
after food conversations song dance concert
celebrations in narrow park garden
red bunting where

loud happiness

spills into a brown river below green silent mountains
 
Funky second-hand shop discovers Burmese

cheroot aha flashback to Mandalay market purveyor of rolled leaves

Mawlamyine, Burma

*
 
Dancing possibilities in Kampot dawn
Delicious stream-of-consciousness
Be invisible little angel of light
Have mercy becoming Wushu meditation
Comedy
 
Chanting monks flame orange voices
Ageless Vietnamese woman pushes wheeled trash treasures
Her spine curves toward tomorrow’s promise
Mystery light
Sensation perception intuitive
 
Line
Shape
Shading
Discernment
Detachment
Calligraphy
Breath
Line pressure
Sign language

Riding the rails in Burma - 2015

Grow Your Soul - Poems and Prose from Laos & Cambodia

Monday
Apr192021

Graz Work Shoes

Inland at 2,606 feet Grazalema men wore hard shoes.

They were a plain brown leather boot with four eyelets and rubber soles. Field shoes. Made for making a living in rocky fields, farming valleys and climbing mountains.

Shoes for taking care of livestock, cutting and clearing timber, shearing sheep, gathering olives, patrolling pastures and waterways, gathering stones from fields, building walls, gardening and working.

It was the same thing to them. To walk was to work. The shoes were not fancy.

Men standing around the Plaza de Espana on Sundays talking with friends in sparse January sun wore brown or black dress shoes. All dressed up and no place to go.

One man, a survivor of the Civil War in 1936 always wore a black beret. He taught music in a small musty dark basement room lined with empty cabinets and dusty band instruments.

His old spectacles had razor thin temples protecting hard squinty eyes and he never smiled. His gaze bore through you. He resembled a disciplined interrogation expert from Fascist Franco days. He was always dressed impeccably and wore black wing tips. There was a deep gash on the front of his right shoe where he’d met a rock.

Shoes were silent below tanned faces lined with life creases as the Penon Mountain loomed over them. Three men stood against the potable water trough staring at a white crucifix on a high mountain ridge. They talked about the weather, crops, families, politics, festivals, and pensions. Sparrows hunted for crumbs on cobblestone paths outside a cafe.

Across the plaza an old frail woman in black holding iron gratings for support sat in her open window peering up an empty street. She was a sabia, a wise woman empowered by grace and knowledge to perform magical acts.

Every day at dawn laborers gathered in the Plaza de Espana Cafe for coffee, sherry, bread, ham and conversation.

“I believe because I do believe,” a man said to no one in particular gripping his hot glass of espresso.

“Believe in what?” said one rubbing his hands against winter.

“When you snap your fingers they contain instants of time,” said another.

“You gotta believe we’re going to get through this winter,” said a sad man.

Mist was thick in the valley below the pueblo. A shepherd released sheep from a pen and drove them into a field of white boulders.

 

Graz neighbor

 

A Scottish visitor sitting outside the cafe shared a story. “I taught business linguistics in college, but I’m really an amateur botanist.”

He pointed up at the Penon. “When you climb up there, as you go higher you are going back in time. You are climbing through stages of life.”

He described rare flower species in the national park and their cycle of blooming seasons at different elevations.

Hearing the botanist reminded me of Jack, a geologist in Canada in 1984 as we passed huge gray boulders along Georgian Bay and he said, “If you imagine the Empire State building and put a dime on top, the dime corresponds to human’s time on earth and the structure is the planet, specifically those boulders. They are some of the oldest stones on the planet.” Rock on.

A woman at the table said, “At everyday level, physicists believe that the arrow of time always points in the direction of increasing disorder or entropy.” Someone asked her to explain.

“The second law of thermonuclear dynamics is really simple. An easy explanation is this. If you don’t clean a room, for example, it gets messy, things get moved around. So a person expends energy to clean it up. It’s about transferring energy.”

“Thanks for the insight,” I said to the woman as she negotiated a parking ticket outside her hotel.

“You’re welcome,” she said.

Two fit English hikers passed. “Let’s go and have a little explore,” said a white-haired man to his wife.

“I love you,” she said.

A team of eighteen jubilant British hikers armed with telescopic hiking poles, laminated topographical maps, spring water, binoculars, bird books, food, and esprit de corps left the pueblo for the Sierras.

I needed a new perspective and climbed high where views past Grazalema extended east over rolling rocky fields, tilled earth, rivers, thick cork valleys and distant mountains. Vision encompassed a tiny white pueblo and microscopic humans accompanied by their shadows exploring levels of experience. I focused binoculars in cardinal directions.

One man on his sparse plot of land cleared stones by hand, put them in a wheelbarrow and pushed his load uphill near his house. He dumped stones and returned to his field of laborious love.

A man in cold shade chopped at a thick tree.

Another man used his day clearing stones and hoeing a large area for winter planting.

Sitting on the mountain peak under sky windows my calm mind savored 360 degrees of clean pure light and air.

I danced in the mysterious beauty observing geological manifestations.

“Lunch is served on the terrace,” said an invisible waiter. The main course was water, meat, cheese, bread, two bananas, and an apple. Dessert was stripping off a sweatshirt to feel sun’s heat.

A fast screaming eagle shadow zoomed over me. Zap.

Down below men renovating homes in the shadow of old Roman ruins hammered their way as children ran, yelled and played in a desperate frenzy.

Eagles and vultures soared on currents. Cloud shadows creased the valley obscuring white homes. Twilight smoke curled from chimneys.

ART - A Memoir

Adventure, Risk, Transformation

 

Tuesday
Apr132021

Hope Marries Exile

Hope had free choice. She married Exile at the Cathedral of Dreams. They ran through meadows, olive orchards and summited Spanish mountains above the Mediterranean.

“There’s a big world out there,” she said to Exile.

“Yes and that’s only the top of it,” he said. “Shall we share an orange?”

“Yes,” said Hope smiling at real and imaginary worlds past the event horizon, “we will sacrifice the peel to enjoy the fruit. Delicious.”

Hope birthed a girl named Patience. Raising Patience was life’s little test for Hope and Exile. Patience gave them the test first and lessons later.

Exile was a lone wolf and Patience tested his love. She tested his stability, honesty, trust and way of creating worlds inside worlds melding swirling atoms of experience. He was a risk taker not a ticket taker. Patience admired this.

Personality tests revealed their character traits and imperfections. With empathy and gratitude Patience tested Exile’s ability to act and let go. She gave him desire, anger, and ignorance and he created a diamond reflecting 10,000 things. Patience cherished this jewel in the lotus.

Hope was relieved seeing Exile content in this context.

“No one dies. Their spirit evolves,“ said Exile as they chopped and carried wood.

“True,” said Hope. “Patience lives forever. Magic protects her. I felt it before she was born. She was a stream of light floating inside me.”

“She is radiant,” said Exile. “She is beauty, truth and wisdom incarnate. She will master her Jinn spirit energies becoming a fine healer.”

Exile raised Labrys, his double bladed laughing axe. Stream splinters sang twilight. Exile chopped. Hope carried. A yellow moon rose through orange-blue streaks above the Sierras.

“He went to the cemetario today,” said Hope.

“Who?”

“The forcestero, the outsider. Visiting spirit sources.”

“Indeed,” said Exile, “they fly with the full moon.”

Hope and Exile danced in their nets of light. Their floating spirits were free of substance. Free spirits in a free world left temporal bodies floating down to the Rio Guadalete River.

 

 

River said, “I wake you up. You follow me and reach pools. Pools are your quiet mind in deep meditation. Deep pools reflect absolute emptiness. No people. Nada. Zip. Zero. You: nature, water, stones, vegetation, trees, animal skulls, blue sky, and sound ...

My music is water. It is soft. It is all you know. You are centered pure and simple. It is all you need. Water is the first thing an infant needs and the last thing an adult requests. To satisfy thirst for your dying father you will smash ice. He was appointed to have you. You selected him to accept responsibility for his life and death ...

You memorize my silent sound and carry it in you. It is light and portable. It multiplies its flowing vibration by streaming. Stones sing with water. They sing their softness, wildness, purity unimpeded. Amplification of clear water is short immediate direct and with you forever. It is heavy deep and real. HDR baby ...

I wake you up. You pay attention. Your spirit flies away and I know you are safe, blessed by my pulse and flow becoming river. Feel the energies. My magic spirit is strong. It flows through your life adventure. I sustain you. My stream is never ending, never beginning. It is the stream of life. Absorbed into the flow you are still. As above, so below.”

Exile and Hope combined their blood with water. The water rushing from dark gray Sierra Mountains through dolomite paths was clear, cold and delicious.

Gathering flowers they savored fresh turned soil, olive and cork trees, pine, evergreen, Pinsapar Fir and trees without a name.

Trees pointed at stars. “Look there,” they said, gesturing thin branches toward sky diamonds, “there, there we are.” Trees identified pulsating white stars.

“Yes,” they sang, “there we are.”

“Look,” sang another, “there we are.”

“And there, and there, everywhere.”

Moonbeam winds heard stars whisper magic star tale secrets of star trails dancing in a vast silent vacuum. Hope and Exile manifested light.

ART - A Memoir

Author Page

 

Lao kids carry worlds on their back.

Wednesday
Mar102021

Cadiz Life

After moving through Moroccan dust, chaos, beauty and impermanence since September, Cadiz was a perfect base for hunting and gathering stories and images.

My second-floor room in a neighborhood of abandoned warehouses overlooked a 200-year-old intersection. A wrought iron balcony faced a narrow cobblestone street. Benjumeda Street extended past shops, churches and plazas.

I was a translucent blue monarch butterfly gathering wing heat for future flight. Inside, outside and all around I wandered Cadiz.

I freelanced for the Bureau of Wandering Ghosts.

Burma

Outside Plaza de Las Flower stalls shoppers pulled provisions home in wheeled shopping carts. Women pushed wheelchairs filled with groceries and cement uphill in their utilitarian universe. Their rolling world was hard rubber spinning in a galaxy. Wheelchairs indicated an invalid family member sat at home in a rocking chair watching game shows and talking heads. Waiting for the goods.

Exploring visual epiphanies, I opened my aperture to f/2.8. Write with light. In exile with silence, cunning, humor and curiosity I discovered Sunday flea market images: old photos, stamps, phonographs, typewriters, dolls, tools, locks, religious paintings, seafood, books, discarded clothing, toys, glass, buttons, broken phones, watches, faces, hands and lottery tickets.

Bar slot machine games called the Wheel of Fortune flashed lights as men drank cheap sherry and pumped 100 peseta coins into hungry devices. Unemployed men and women prowled streets, corners and shops selling lottery tickets called ONCE.

The Champion grocery store across from the old market sold sixteen different lottery tickets. A city this old believing in a religious hereafter had a gambling addiction. Pay now and pray later. Poor people needed all the hope money could buy.

Hope was broke.

I exposed streets, parks, cathedrals and beaches with sun-greased white haired ladies knitting and playing bingo and children dressed in gaudy black and red sashes for religious festivals. Men cut fish, hands held creased maps or thick Cuban cigars, children grasped parental fingers.

Tourists gripped each other in lost wild desperation. Lovers slept in sunlight. Men hammered stones as pigeons fought over bread scraps. Obscure dark faces in doorways greeted neighbors. A crescent moon floated between television aerials.

 

Burma

 

Juxtapositions of hammers and crucifixes rested on red fabric. Brown nuns supporting their habit passed brass Moorish door knockers as historical debris laughed before and after Chris Colon sailed west.

I wandered the city carrying a Moleskine and piston driven fountain pen spilling Midnight Blue ink.

Businesses had signs reading, “This establishment has a book for claims and complaints.”

In a cafe I ordered a meal of nouns and verbs with a side order of flat dirty realistic cardboard character development.

“Hold the adverbs,” I told the waitress.

I scribbled seven serious mystical mischievous words. Seeing this a man behind the bar whispered to a woman. They began cleaning. They hauled out crates of empty bottles, swept and mopped the floor with determination, efficiency and fear suspecting I was from the CLEAN authorities.

Fear is a great motivator.

Kitchen women suffered a panic attack. Jabbering like irate birds they scrubbed gleaming appliances with profound intention and motivation. They feared they’d be closed down for an imperfection in their life.

After fresh tomatoes I spread my wings.

ART

Adventure, Risk, Transformation - A Memoir

Burma

Tuesday
Feb162021

The Girl on the Train

The Moroccan girl with wild brown hair tied back is not on the train leaving a white station.

Her bare feet grip small pebbles as root structures dance with her toes.

Her grounded shadow prowls toward late winter light.

She is not on the red and brown train zooming past green fields as her sheep in long woolen coats eat their way through pastures after a two-year drought.

She is not on the train hearing music, eating dates, reading a book, talking with friends or strangers, sleeping along her passage, or dreaming of a lover. She does not scan faces of tired, trapped people in orange seats waiting for restless time to deliver them to the Red City.

Her history remembers potentates inventing icon free art, alphabets, practicing equality, creating five pillars of Islam, navigation star map tools, breaking wild stallions, building adobe fortresses and writing language.

She is not on the train drinking fresh mint tea or consulting a pocket sized edition of the Qur’an. She does not kneel on her Berber carpet five times a day facing Mecca.

She does not wear earphones listening to music imported from another world, a world where people treasure their watches. Where illusions of controlling time is their passion to be prompt and responsible citizens.

She is not on the train and not in this language the girl with wild brown hair tied back with straw or flower stems surrounding her with fragrances.

Inside rolling hills cut by wet canyons she is surrounded by orange blossom aroma in yellow and green fields. Her black eyes absorb ephemeral cloud thoughts in sky mind. Her open heart feels her breath ripple her long shadow.

Her toes caress soil. She is lighter than air, lighter than an eagle soaring above the Atlas Mountains.

She smells the Berber fire heating tea for a festival. A shaman dances in a goatskin cape and skull below stars.

It is cold. Flaming shooting stars leap into her eyes. Her nomadic clan plays flutes and drums. She sways with the hypnotic rhythm of her ancestral memory.

She is not on the train. She is inside a goat skull moving through soil, dancing through fields.

Red and yellow fire invites stars to her dance.

ART

Adventure, Risk, Transformation - A Memoir